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Manage No, Sortation, Country, Writer ,Date, Copyright Manage No EE00002128 Country Republic of Korea ICH Domain Performing Arts Social practices, rituals, festive events Address SeoulYear of Designation 1967.06.17
Description | [National Intangible Cultural Heritage, Republic of Korea] Mask dance is a stage play wherein one person or several people wearing a mask act as a person, an animal, or a supernatural being (god), delivering a message with dialogues or dances. Talchum (mask dance) was performed throughout the country until the early Joseon Period. When the Sandae (type of mask dance) was no longer performed in the Royal Palace, it was enjoyed as a pastime by ordinary people. Bongsan Talchum was started in Bongsan-gun, Hwanghae-do about 200 years ago. Performed on the night of Dano (fifth day of the fifth lunar month) and Haji (Summer Solstice), it is composed of dances associated with four monks, eight monks in black robe, a female member of a troupe, an old monk, a nobleman, and an old wife. Prior to the start of the play, the 36 members of the play (27 of them wearing masks) march to the site of the play while playing music. They also hold a sacrificial rite. The play contains satire about nobles harassing commoners, depraved monks, male chauvinism in a custom of allowing a man to take many wives, etc. Members dance to the tune of praying to Buddha, taryeong (Korean folk song), and gutgeori rhythm songs accompanied by the playing of samhyeon yukgak (three strings and six wind instruments) such as piri (flute), jeotdae (bamboo flute), haegeum (two-stringed fiddle), buk (drum), and janggo (hourglass-shaped drum). As the best known among the mask dances handed down in Hwanghae-do, Bongsan Talchum displays the lively movements of dancers including the shaking of the sleeves of the robes. |
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PI00005507
Andong Hahoe Byeolshin Gut Tal Game
Show the excellence of Korean traditional culture to the world and promoting talchum to broader audience
Republic of Korea -
PI00005506
Andong Hahoe Byeolshin Gut Tal Game
Show the excellence of Korean traditional culture to the world and promoting talchum to broader audience
Republic of Korea
Videos
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VI00000969
Connected through masks (탈로 인연을 잇다)
- 탈춤을 추는 사람은 탈 쓰고 함께 ‘추는사람’이다. A masked dancer is someone who 'dances' with a mask on. - 탈춤을 추는 사람은 탈 난 것 들‘추는사람’이다. A masked dancer is someone who 'accents' what is wrong. - 탈춤을 추는 사람은 내리고, 올려 맞‘추는사람’이다. A masked dancer is someone who is 'enharmonic' with others. #1 정자 : 0:00:05 ~ 0:01:18 Gwanno Mask Theater of Gangneung : Jangjamari mask Andong Hwahoe Byeolsinguttalnori : I mae mask Yangju Byeolsandae Nori : Yeon ip mask Gangryeong mask dance : So mu mask #2 대청마루 : 0:01:18 ~ 0:03:33 Gwanno Mask Theater of Gangneung : Jangjamari mask Andong Hwahoe Byeolsinguttalnori : I mae mask Yangju Byeolsandae Nori : Yeon ip mask Gangryeong mask dance : So mu mask #3 나무숲 : 0:03:34 ~ 0:05:09 Gwanno Mask Theater of Gangneung : Sisittakttaki mask Andong Hwahoe Byeolsinguttalnori : Hal mi mask Yangju Byeolsandae Nori : Om jung mask Gangryeong mask dance : Hal mi mask #4 공연장 0:05:09 ~ 0:06:29 Gwanno Mask Theater of Gangneung : Sisittakttaki mask Andong Hwahoe Byeolsinguttalnori : Hal mi mask Yangju Byeolsandae Nori : Om jung mask Gangryeong mask dance : Hal mi mask #5 공연장 0:06:29 ~ 0:07:07 Gwanno Mask Theater of Gangneung : kim mun gyeom Andong Hwahoe Byeolsinguttalnori : Lee juwon Yangju Byeolsandae Nori : KIM JIHOON Gangryeong mask dance : Park insun [출연진] 천하제일탈공작소(The greatest masque) 김문겸 kim mun gyeom 이주원 Lee juwon 김지훈 KIM JIHOON 박인선 Park insun
07:18
Republic of Korea 2021 -
VI00000312
4. Andong International Mask Dance Festival: Realization of Folkloric Values and Transmission of ICH
Masks and mask dance exist through which they try to realize equality and be free from judgement, allowing you to express yourself as an equal in society regardless of class. The mask dance festival starts on the last Friday of September and lasts for ten days, and over a million people visit domestically and internationally. It has garnered attention from world leaders. Queen Elizabeth II of the UK, George H. Bush and George W. Bush of the USA, UN Secretary General Ban Ki Moon, and other influential leaders have attended. The festival is about mixing modernity with tradition coming together, creating a mosaic of different colors and cultural significance. They use the mask dance festival as a collaborative tool that can bring various cultures together. The mask dance festival also plays a large role in transmitting the heritage to younger generations through various associations that function as a network.
13:55
Republic of Korea 2020
Article
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DI00000725
Andong International Mask Dance Festival: Realization of Folkloric Values and Transmission of ICH
Masks and mask dance exist through which they try to realize equality and be free from judgement, allowing you to express yourself as an equal in society regardless of class. The mask dance festival starts on the last Friday of September and lasts for ten days, and over a million people visit domestically and internationally. It has garnered attention from world leaders. Queen Elizabeth II of the UK, George H. Bush and George W. Bush of the USA, UN Secretary General Ban Ki Moon, and other influential leaders have attended. The festival is about mixing modernity with tradition coming together, creating a mosaic of different colors and cultural significance. They use the mask dance festival as a collaborative tool that can bring various cultures together. The mask dance festival also plays a large role in transmitting the heritage to younger generations through various associations that function as a network.
Ju Ho Kim, Head, Festival Team, Andong Festival Tourism Foundation 2020 -
DI00000552
Korean Mask Dance: An Exciting Comprehensive Folk Art
The Cultural Heritage Administration selected ‘mask dance of Korea’ as its 2020 nomination for UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity during a joint meeting of the Intangible Cultural Heritage Committee and the World Heritage Division of the Cultural Heritage Committee, which was held on 6 December 2019. Regarding the nomination, the International Mask Arts & Culture Organization (IMACO) held a research presentation and an international academic symposium on 20 and 21 December in collaboration with Andong City, Korea. Here, ‘mask dance of Korea’ refers to a kind of drama performed while wearing masks with different local features. It is a comprehensive folk art that encompasses a variety of elements, including singing, dance, dramatic content, and costumes. Korean mask dance is a novel form of expressing the thoughts and feelings of the people, and it truly mesmerizes the audience with diverse characters and dance moves. Traditionally, Korean mask dances helped people express their suppressed feelings and satire. Different types of mask dance drama have been transmitted nationwide. Among them, in particular, are Hahoe Byeolsingut Talnori of Andong, Byeolsingut Talnori of Gangneung, Songpa Sandae Nori and Yangju Byeolsandae Nori of Seoul and Gyeonggi-do, Haeseo of Hwanghae-do (incl. Bongsan, Gangnyeong, Eunyul), and Yayu and Ogwangdae of the east and west areas of Nakdong River. The mask dance was a representative folk culture of the late Joseon period in Korea, along with pansori, a traditional form of musical storytelling. Mask dances hold great artistic significance and value in Korea’s traditional community, as it relates to the minds of the people through its theatrical and entertaining aspects while also functioning as a medium for social criticism. Until now, thirteen mask dance elements have been listed as national intangible cultural heritage and four others have been listed as city/provincial intangible cultural heritage. The Cultural Heritage Administration is planning to submit the nomination file on Korean mask dance to UNESCO by the end of March 2020. The nomination will be decided during the seventeenth session of the Intangible Cultural Heritage Committee to be held in 2022. Meanwhile, a special exhibition titled “In High Spirit, Away From Sorrows: Traditional Korea Mask Dance Drama” is being held at the National Intangible Heritage Center located in Jeonju, Korea. The exhibition presents the history of traditional masks and mask dance as well as five traditional masks known as hahoe-tal, the oldest mask dance tradition in Korea. The exhibition will be running until 23 February 2020. For more information, please visit the website. Photo : Korean Mask Dance ⓒ shutterstock
HWANG SEBEEN 2020
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EE00002143
Gangnyeong Talchum (Mask Dance Drama of Gangnyeong)
[National Intangible Cultural Heritage, Republic of Korea] Talchum (mask dance) was performed across the country up to the early Joseon Period (1392 – 1910). Gangnyeong Talchum (Mask Dance Drama of Gangneung) is a type of Sandae Dogamgeuk, which was performed at the Royal Palace. After the mask dance drama came to be no longer performed there by 1634 (the 12th year of King Injo’s reign), it was still enjoyed as a pastime by ordinary people. The Mask Dance Drama of Gangnyeong is performed on Dano (May 5 on the lunar calendar) in Gangnyeong-eup, Hwanghaenam-do, and dates perhaps from the late Joseon Period. The event is composed of seven acts, Lion Dance, Malttugi Dance, Mokjung Dance, Sangjwa Dance, Dance of the Nobleman and Malttugi, Dance of Chwibari and the Old Monk, and Dance of the Old Couple. Prior to the performance, the 20 members of the troupe march, playing music to entertain spectators along the road. The play includes satire about such issues as nobles harassing commoners, depraved monks, and male chauvinism as shown in the custom of allowing a man to take plural wives. Dance movements are slow. The main dance is Jangsamchum (Long Sleeve Dance). The rhythms used are dodeuri, taryeong, and jajin gutgeori. Thirty-plus types of narration are used, each of them using its unique rhythm. The parts concerning three brothers of a noble family talking about the essentials of the noble class or calling Malttugi, or Malttugi’s gag are similar to those of Ogwangdae (Mask Dance Drama) of Gyeongnam-do. The scene of an old female clown turning a spinning wheel is similar to that of Ogwangdae of Gasan. These similarities have a very important significance in the handing-down of mask dance in the country. Performers wearing masks displaying realistic facial expressions and engaging in elegant and slow dancing movements are features of Gangnyeong Talchum, which distinguish it from Bongsan Talchum, another kind of mask dance performed in Hwanghae-do.
Republic of Korea -
EE00002113
Tongyeong Ogwangdae (Mask Dance Drama of Tongyeong)
[National Intangible Cultural Heritage, Republic of Korea] Ogwangdae refers to a form of traditional folk performance developed in the southern part of Korea including Tongyeong, hence the name Tongyeong Ogwangdae. Initially, Tongyeong Ogwangdae was performed on the eve of the Daeboreum (full moon of the 15th day of the first lunar month), but it gradually came to be performed on other festive days in spring and autumn. Some specialists claim that Tongyeong Ogwangdae originated from a form developed in Changwon Ogwangdae (Mask Dance Drama of Changwon) about a century ago - either by a group of local entertainers or Yi Hwa-seon, an Ogwandae player who moved from Changwon to Tongyeong. Each performance of Tongyeong Ogwangdae is composed of five episodes in which a total of 31 players play diverse characters by donning masks intended to represent them, including Leper, Malttugi, First Yangban, Second Yangban, Hongbaek Yangban, Faltering Yangban, Pockmarked Yangban, Black Yangban, Jorijung, Eight Heavenly Maids, Yeongno, Yeongnong Yangban, Halmi, Jeja Gaksi, Sangjwa, Blind Man, Sangju, Hunter, Mongdori, Lion, and Dambi. Each episode is focused on the complicated relationships between commoners and their views on Korean society and the ruling class. The words exchanged between the characters are typically barbed with sharp satire, effectively mocking the absurdity and hypocrisy of Confucian aristocrats and Buddhist monks. Tongyeong Ogwangdae is also famous for some of its dances, and most particularly the Leper’s Dance, which convincingly expresses the bitter life of a leper, and is also the only Ogwangdae troupe to present the Lion Dance during its performance. Tongyeong Ogwangdae is inscribed on Korea’s list of Important Intangible Cultural Heritages.
Republic of Korea