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Manage No, Sortation, Country, Writer ,Date, Copyright Manage No EE00001168 Country Uzbekistan ICH Domain Performing Arts Address All over the countryYear of Designation 2011
Description | Dancing art of Uzbekistan, which unites the traditions of oral folk creativity, songs and dances, has a rich history. This is testified by numerous archaeological findings, artifacts, wall paintings (in the palaces), ossuaries and works of miniature art of the Middle Ages which came down to us from the ancient past. Throughout history various dance styles emerged. From among them it is possible to mention "Katta oyin" (Big dance), which is a multi-part suite that includes the cycle of rhythmical usuls as well as complexes of certain dance movements associated with them, "khona bazm oyin" (indoor dances), "duchava" (dance with two sticks), "dance with teabowls" (dance with a bowl for drinking tea) , "dance with spoons", "dance with daggers", "dance on chest", "teapot dance", "kema oyin" (dance on a boat), "zangbozi", "naghora oyin", "shodi", "zamin bozi", "larzon", "lazgi", "bukhorcha", "tanovar", "Farghona ruboyisi", "Andijon polkasi", etc. From the past dances were divided into those performed by men and women. Even though there are different styles and genres, various performance manners, it is still possible to see some common features, which make up Uzbek dance to look very impressive. |
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Social and cultural significance | Dancing art of Uzbekistan has a rich history. Even though there are different styles and genres, various performance manners, it is still possible to see some common features, which make up Uzbek dance. For instance, there is a precise rhythm, a clear pace and expressiveness of movements of hands. All these make Uzbek dance look very impressive. At present there are five local dancing schools with their peculiar traditions in Uzbekistan: • Fergana-Tashkent dancing school • Bukhara dancing school • Khorezm dancing school • Surkhan dancing school • Karakalpak dancing school Nowadays in the territory of Uzbekistan there are dozens of professional and amateur dance collectives. The best from among them were given honorable titles of "People's Dance Collective" (or those, which deal with children's dances - "Exemplary Children's Dance Collective"). This honorable title entitles receiving money from the state budget to be used in supporting two leaders of the collective. Meaning of dance art is quite high because of the youth interested to study this genre. The recent Decisions of the President of the Republic of Uzbekistan "On measures for the further development of the national dancing art " and "On measures for the radical improvement of the system of training of highly qualified personnel and the further development of scientific potential in the field of dancing art," according to which the State Academy of Choreography of Uzbekistan, have also shown great attention to the development of this art. |
Transmission method | Uzbek dancing art is being continued by professional and amateur groups, as well as by individual performerson the basis of traditional non-formal learning method Usto-Shogird (“Master-Apprentice”) and/or within formal educational programmes in specialized dance schools and other educational establishments. |
Community | Tashkent State High School for National Dance and Choreography and professional and amateurngroups, as well as by individual performers. |
Keyword
Information source
Republican Scientific-Methodical Center for Organization of Culture Institutions Activity
http://www.folklore.uzMaterials related to
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PI00003186
Uzbek dancing art
The evolution of dance movements in Uzbekistan is connected with the existence of “Navruz” holiday and with the arrival of Zoroastrianism to Uzbekistan. Uzbek dance art is based on certain rhythm and dance movements that are systemized according to the changes in the rhythm. Innthe music performance even doira is accompanied by other musical instruments, the dancers plan their movements only based on the number and the content of the rhythm.nAt present there are five local dancing schools with their peculiar traditions in Uzbekistan. These are:n• Fergana-Tashkent dancing school;n• Bukhara dancing school;n• Khorezm dancing school;n• Surkhan dancing school;n• Karakalpak dancing school.
Uzbekistan -
PI00003187
Uzbek dancing art
The evolution of dance movements in Uzbekistan is connected with the existence of “Navruz” holiday and with the arrival of Zoroastrianism to Uzbekistan. Uzbek dance art is based on certain rhythm and dance movements that are systemized according to the changes in the rhythm. Innthe music performance even doira is accompanied by other musical instruments, the dancers plan their movements only based on the number and the content of the rhythm.nAt present there are five local dancing schools with their peculiar traditions in Uzbekistan. These are:n• Fergana-Tashkent dancing school;n• Bukhara dancing school;n• Khorezm dancing school;n• Surkhan dancing school;n• Karakalpak dancing school.
Uzbekistan -
PI00003188
Uzbek dancing art
The evolution of dance movements in Uzbekistan is connected with the existence of “Navruz” holiday and with the arrival of Zoroastrianism to Uzbekistan. Uzbek dance art is based on certain rhythm and dance movements that are systemized according to the changes in the rhythm. Innthe music performance even doira is accompanied by other musical instruments, the dancers plan their movements only based on the number and the content of the rhythm.nAt present there are five local dancing schools with their peculiar traditions in Uzbekistan. These are:n• Fergana-Tashkent dancing school;n• Bukhara dancing school;n• Khorezm dancing school;n• Surkhan dancing school;n• Karakalpak dancing school.
Uzbekistan -
PI00003189
Uzbek dancing art
The evolution of dance movements in Uzbekistan is connected with the existence of “Navruz” holiday and with the arrival of Zoroastrianism to Uzbekistan. Uzbek dance art is based on certain rhythm and dance movements that are systemized according to the changes in the rhythm. Innthe music performance even doira is accompanied by other musical instruments, the dancers plan their movements only based on the number and the content of the rhythm.nAt present there are five local dancing schools with their peculiar traditions in Uzbekistan. These are:n• Fergana-Tashkent dancing school;n• Bukhara dancing school;n• Khorezm dancing school;n• Surkhan dancing school;n• Karakalpak dancing school.
Uzbekistan
Videos
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VI00000350
Qoshi yosinmu deyin (Katta Ashula in Marg‘ilon)
Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.
06:03
Uzbekistan 2017 -
VI00000348
Chorgokh (Katta Ashula in Marg‘ilon)
Chorgokh was made in the Middle Ages, and the song tells the story that Allah is great and unique. Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.
07:53
Uzbekistan 2017 -
VI00000347
Gulbahor va tanovar (Katta Ashula in Marg‘ilon)
Gulbahor va tanovar is a song played only by folk instruments. It consists of two movements, Gulbahor (meaning flowers and spring) and Tanovar (meaning courage and strength).
05:31
Uzbekistan 2017 -
VI00000349
Sokinomay Safti Kalon (Katta Ashula in Marg‘ilon)
Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.
03:17
Uzbekistan 2017