The Silk Roads is a path and a route, not a fixed concept but a dynamic and expanding polysemic concept. The definition of the Silk Roads varies depending on academic perspectives. Toward the end of the twentieth century, the Silk Roads have become symbols of peace and understanding. It is at risk of abuse, commercialization, and political misapplication. Countries along the Silk Roads are experiencing a great deal of change, especially under the influence of globalization and commercialization. They are, therefore, highly vulnerable to change. It is necessary to consider the definition and target countries/areas, membership, access online and offline, gaps in ICT content production, and updating and maintaining information. Recommendations on improving a possible network include strengthening the information sharing capacity, improving the quality of information, and promoting and making successful public and private partnership programs. Two questions we have to ask are “What is the position of intellectual/academic cooperation for ICH safeguarding along the Silk Roads?” and “Can we support another new scientific approach?”

Seong-Yong Park talks about the importance of ICH for the sake of sustainable development along with the characteristics of Silk Roads region. He also discusses the various Information and networking programs ICHCAP has implemented in collaboration with Central Asian nations, especially nations along the Silk Roads, showing ICHCAP’s interest in developing projects along the Silk Roads. At the same time, He proposes to develop a broader network targeting the Silk Roads region with upgraded functions of sharing information and building networks. In addition, he argues that for better opportunities for future collaborations, establishing a Silk Roads ICH Network would be a meaningful journey through cooperative and multilateral partnerships among the stakeholders to recreate the glory of the Silk Roads through ICH.

A wide range of festivals are held in Uzbekistan to generate public interest in intangible cultural heritage. This includes the recent International Bakhshi Art Festival, which was held for a week from 5 April in the ancient city of Termez. Bakhshi is a multi-genre art form that brings together singers, musicians, and performers of Doston, a Central Asian oral epic. Teams from seventy-five countries took part in this festival, which featured not only a wide range of performances but also an enlightening international conference.

Bangladesh and a significant part of South Asia possess a vibrant and thriving medical pluralism. Medical pluralism has been turned into an intrinsic feature of its medical system in historical and contempo-rary contexts (See, Rashid, 2017, Misra, 2010, Leslie, 1980, Banerji 1981; Sujatha 2003, Sujatha& Abraham, 2009). Multiple medical systems such as Biomedicine (the term used for allopathic medicine), Ayurvedic, Yoga, Unani, Siddha and Homoeopathy (AYUSH), Naturopathy, Kaviraji and other folk traditions are widely practiced in this region for primary health-care. Traditional medical practices (TMPs) involving the use of different medicinal plants vary greatly from place to place, region to region and community to community, as they are influenced by factors such as economy, culture, religion, education, ethnicity and environment. The cultural phenomena of super natural belief also plays a significant role in building different perceptions among different rural and ethnic om-munities on various statuses and conditions of their health, as many of these people view their illness as possession by evil spirits. Visits to shrines or shamans (a person who acts as an intermediary between the natural and supernatural worlds, using magic to cure illness) for folk methods of healing, are still observed in many places. Research shows that whether educated or not, rich or poor; some people still use folk medicine for specific diseases.

This networking program is based on experiences and achievements obtained from the collaborative work of UNESCO-ICHCAP in the living heritage field in Central Asia over the last decade.\n\nFor reference, the networking program comes on the heels of a three-party MoU signed by ICHCAP and organizations in Uzbekistan in 2019 and was followed by a Central Asia network meeting in Kazakhstan in 2019. In 2020, ICHCAP in cooperation with International Institute for Central Asian Studies (IICAS), conducted a survey project about ICH festivals along the Silk Roads, particularly with countries along the steppe route. Regarding the survey result, ICHCAP, IICAS and Korea-Central Asia Cooperation Forum Secretariat of the Korea Foundation (KF) held an online webinar and a strategic meeting to consider the need for realizing the multilateral values of Silk Roads-related cooperation

The National Heritage Board of Singapore (NHB) recently published the first issue of a two-part series of MUSE SG that focuses solely on Singapore’s intangible cultural heritage (ICH). MUSE SG is NHB’s outreach magazine that features museum and heritage related articles and is distributed to museums, schools, libraries, and public institutions free-of-charge.\n\nFor the two-part series on Singapore’s ICH, NHB has partnered with History Society students from the National University of Singapore (NUS HISSOC) to conduct research and co-create content. The partnership is part of NHB’s youth engagement efforts to interest the younger generation in different aspects of Singapore’s heritage.\n\nThe first ICH issue of MUSE SG introduces readers to the different categories of ICH as defined by UNESCO and explains how the ICH elements in these categories have become an integral part of Singapore’s multicultural identity. The issue is part of NHB’s continuing efforts to promote greater public awareness and appreciation of Singapore’s ICH.\n\nThe National Heritage Board of Singapore (NHB) recently published the first issue of a two-part series of MUSE SG that focuses solely on Singapore’s intangible cultural heritage (ICH). MUSE SG is NHB’s outreach magazine that features museum and heritage related articles and is distributed to museums, schools, libraries, and public institutions free-of-charge.\n\nFor the two-part series on Singapore’s ICH, NHB has partnered with History Society students from the National University of Singapore (NUS HISSOC) to conduct research and co-create content. The partnership is part of NHB’s youth engagement efforts to interest the younger generation in different aspects of Singapore’s heritage.\n\nThe first ICH issue of MUSE SG introduces readers to the different categories of ICH as defined by UNESCO and explains how the ICH elements in these categories have become an integral part of Singapore’s multicultural identity. The issue is part of NHB’s continuing efforts to promote greater public awareness and appreciation of Singapore’s ICH.\n\nVats containing soy beans undergoing fermentation in the production of soya sauce at Tai Hua Food Industries, 2020. Image courtesy of National Heritage Board, Singapore\nIt also features articles on selected ICH elements including traditional Malay dance, traditional Eurasian cuisine, traditional crafts such as effigy making, the production of soya sauce, the practice of rearing songbirds, the ancient healing practice of Ayurveda, and local practices in the commemoration of Easter.\n\nThe second ICH issue of MUSE SG, to be published in January 2021, will focus on the practices and rituals of Jewish Passover by the local Jewish community and the Zoroastrian faith as practiced by the Parsi community in Singapore.\n\nIt will also cover dondang sayang (a poetic art form associated with the Malay and Straits Chinese communities in this region), traditional Chinese music, traditional Nanyang breakfast (comprising toast with kaya spread, half-boiled eggs and a cup of hot tea or coffee) and the craft of Indian goldsmithing.\n\nTo access the first ICH issue of MUSE SG, please click on the following link: https://www.roots.sg/learn/resources/publications/education-and-community-outreach/MUSE-SG-Volume-13-Issue-01\n\nPhoto 1 : Muse Cover © NHB\nPhoto 2 : Vats containing soy beans undergoing fermentation in the production of soya sauce at Tai Hua Food Industries, 2020. Image courtesy of National Heritage Board, Singapore

With stupefying landscapes to explore, marked by the remnants of ancient tribes and Silk Road travelers, Kyrgyzstan is the perfect place to let one’s person and imagination roam wild.\n\nThe stunning Eurasian mountain country of Kyrgyzstan is renowned for its splendid natural panoramas and vast landscapes that, although isolated, belong to a unique cultural context. Human traces—Paleolithic petroglyphs, Saka burial mounds, Silk Road caravanserai, and Soviet-era monuments, to name a few—punctuate the mountains and valleys once roamed by the vagabonds and villagers of past centuries.\n\nTo the present day, the complex natural and historical Kyrgyz terrain elicits curiosity and wonder among those who attempt to navigate it. Furthermore, the interpretations by later ancestors of ancient remnants are interesting keystones in the development of culture. Over the decades and centuries, the distant, obscured past tends to remain a source of imagination, superstition, and inevitably, storytelling. While this reception of the past is not unique to the Kyrgyz culture, its history is characterized by many waves of migration, and thus the people who have traversed its mountains and valleys were at times vastly different to their predecessors.\n\nIt may be possible that as a result of their roaming, the ancient settlers of Kyrgyzstan felt a need to establish a sense of place within the overwhelming land they occupied, a desire to understand it and know what it had witnessed before they arrived. This attempt to fabricate a connection to the land and earlier peoples might account for the legends of Kyrgyz folklore that seek to explain the etiology of various monuments and natural phenomena, their reasons for being.\n\nCholpon-Ata\nCholpon-Ata, now a popular resort destination on the north shores of Lake Issyk-Kul, takes its compound name from the maiden of the origin myth of the lake. Legend has it that long ago lived Cholpon, a beautiful blue-eyed Kyrgyz girl who lived with her tribe near the mountains. The amoured Ulan and Santash fought and injured one another for her affections, their rivalry expanding to two groups of allied kin. In the face of a choice which would result in the detriment of one of the dijigits (horseback warriors), Cholpon tore her own heart from her chest, rendering it unattainable to either, and died on the sunrise-facing hill that commemorates her. The mourning Kyrgyz, who remained divided from the feud, filled the valley between the mountains with their tears and created Lake Issyk-Kul, which separated the bitter tribes. The two groups thus name the northern and southern banks, Kungey and Terskey while the Ulan and Santash dijigits blow as the east and west winds, occasionally grappling with one another in the form of a storm above the lake.\n\nJeti-Ögüz\nThe photogenic ridge of seven red sandstone peaks known as Jeti-Ögüz are also the setting of Kyrgyz myths. The formation’s name, meaning Seven Bulls, may reference a folktale in which the eponymous animals were petrified by the gods to protect human inhabitants of the region from their wild rampage. In another legend, a Kyrgyz khan seeks to avenge the theft of his wife by another man and is advised by an elder to do so by killing the wife as punishment. His plan is hatched at a funeral feast, when, after the sacrificing of seven bulls, he similarly stabs and kills his stolen wife. Her bleeding heart flooded the valley, the blood carrying the slaughtered bulls with it to the current position of the red rocks.\n\nTengrism and the Tien Shan\nSome of the vast mountains which Kyrgyzstan is known for belong to the Tien Shan range, also shared with China and Kazakhstan. These majestic snow-capped peaks cast upon those who face them the impression of a force that was mighty, powerful, and divine. Such mountains are held sacred in the Central Eurasian religion of Tengrism, rooted in the ancient Mongol and Turkic tradition that worshipped the god Tengri personified by the sky, whose name attests to the religious and legendary significance of the mountains. The Kyrgyz ‘Tengri’ and Chinese tian are linguistically linked, both meaning sky as well as god; the Tian Shan can thus be translated to mean ‘Sky Mountain’ in honor of the god.\n\nRecounting these ancient legends are only a small sample group of the rich folkloric tradition woven into Kyrgyzstan’s vast landscape and varied population. We can only assume there to be infinite variations to the stories that are continually told, and far more strands of the oral tradition that may survive either sparsely or not at all. But there is a timelessness about these tales of the origin of natural phenomena that continue to punctuate Kyrgyz land and something in their phrasing and rhythm that longs to be shared aloud, repeated, and remembered.\n\nPhoto : Kyrgyz Landscape

The traditional martial art concerned here is divided into two currents belonging to the same founding lineage: 心意拳 (lit. Intention Fist boxing) and xingyiquan形意拳(lit. Form and Intention Fist). It saw significant development in northern China, especially in Shanxi Province, during the middle of the 18th century, and in Hebei Province at the beginning of the 19th century. Today, both styles are practiced well beyond China and are presented in various traditional or sporting forms. The traditional practice is composed of ritual initiations, alchemical, curative, and psychophysics exercises closely linked to the ancient Chinese concepts of cosmological thought and folk religions. The combat techniques (bare hands and traditional weapons) embody popular warlike traditions hypothetically attributed to the handling of a military spear dating back to the 12th century in Henan Province.\nWhat is historically certain, however, is that this art was deeply influenced by the merchant culture of Shanxi Province from the 19th to the beginning of the 20th century (Liu and Qiao, 2014). Thanks to migratory movement along ancient Eurasian trade routes in late imperial China, it has progressively become an inherent part of the local knowledge of trade caravan organizations called 鏢局. The mutual influences between martial art and merchant culture have brought about the emergence of new social category, 鏢师. They shaped local knowledge that comes in a variety of forms and contextual applications: communicative competence and jargon for cooperation (Chircop-Reyes, forthcoming), trade and veterinary sciences, handcrafts, visual capacity, hearing ability, olfactory sensitivity, and defensive skills.

The intangible cultural heritage of any nation and ethnic group depends upon a locality, environment, business way of life, language, and condition of cultural history that is very diverse and unique. Thus, the intangible cultural heritage of any nation symbolizes their identities and constitutes an integral part of the world culture. The Mongolian nation and its ethnic groups are an inseparable part of the global population. The Mongols and their ancestors have lived and moved from place to place on the vast territory from the Altai Mountain ranges to the Khyangan Mountains, from Lake Baikal to the Chinese Great Wall. This area is a part of the vast and grassy Eurasian plain that stretches for several thousand kilometers from the Danube River to the Korean peninsula, and on which animal husbandry–based nomadic cultures and agricultural farming–based sedentary civilizations long co-existed.

Kazakh ceramic art is as old as Kazakh history itself. Excavation sites of early and medieval nomadic cultures include many pottery traditions that mark historical milestones of the Great Steppe. The most ancient forms of ceramics found in the region correspond to similar pieces found all over the world. Researchers believe that the first pottery traditions were introduced during the Indo-Iranian (Aryan) era of nomadic cattlemen, which is associated with the Andronovo culture of the fifteenth to eighth centuries BCE. In medieval times, the increased demand for ceramics was linked to thriving medieval Silk Road townships. Though there are similarities with many other Eurasian schools of ceramic art, each area presents its own unique pieces that carry distinctive characteristics.

The location of Indonesia is at the junction of the Australian, Eurasian, and Pacific tectonic plates. and Positioned on the ‘ring of fire’ with many active volcanoes as well as its high annual rainfall, Indonesia susceptible to natural disasters such as earthquakes, volcanic eruptions, tsunamis, flooding, landslides, and mudslides.

The traditions of the Silk Roads go back many thousands of years, more than fifteen centuries, and holds a permanent place in the history of humanity and considerable monuments along the way. Bypassing political influences, Turkmenistan grew as a cultural hub for various traditions. Turkmenistan was at the crossroads of the Eurasian routes, a meeting point of various cultures and civilizations, passing along traditions. The major routes hold an historic and philosophical significance and display a strong sense of harmony among neighboring cultures. Through many centuries Turkmenistan played its part as a conduit for travelers along the Eurasian routes. One of the major issues in relation to the 2030 agenda is our cooperation with UNESCO and the UNESCO structures and experts to produce visible outcomes. Turkmenistan plans to continue its role of cooperation and looks forward to nominating more elements to the UNESCO lists. Akhal-Teke horses and Alabay dogs are loyal friends and faithful companions to Turkmens and are an integral part of the ICH along the Silk Roads.