Materials
family
ICH Materials 976
Photos
(284)-
karnay players from Istaravshan Family Ensemble of Shodiboy Jamilov
Tajikistan -
Traditional knowledge of genealogical inheritance
Mongolians carefully maintain knowledge of their genealogies, which can stretch back to ancient times. Accounts of the descent of their relatives and children help to define families as a unique social unit and as a site for a process of biological and social inheritance. It is a sacred duty to trace one’s genealogical descent well. The paternal relative is agnatic, the maternal relative is cognate. Our ancestors knew their genealogy back seven generations, starting from themselves and their father and extending back to their grandfather, (elents) great-grandfather, (khulants) great-great-grandfather, (öndör) great-great-great-grandfather and (zürkhen) great-great-great-great-grandfather. They trace children starting from themselves to their son, (jich) grandson, (guch) great-grandson, (döch) great-great-grandson and (tach) great-great-great-grandson.
Mongolia -
Process of making Komoch nan
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Kyrgyzstan -
The Bilum of Papua New Guinea_FIBER MAKING PLANTS
PNG plants naturally and wildly grow in the country's tropical environment (on both coastal and higher altitudes) while others are nurtured. Distinct plants are used by different traditional societies. Fibers are extracted from barks of these plants.
Papua New Guinea -
The Bilum of Papua New Guinea_COLOR DYING PLANTS
Dye-producing plant species found in local environment vary in different traditional societies. Some of these plants like the turmeric as shown are grown in gardens and homes for easy access and usage.
Papua New Guinea -
The Bilum of Papua New Guinea_STORED FIBER
The dried stored fiber is specifically selected by the weaver for specific bilum type. Different fiber texture is selected without blending to give the essence of the completed traditional bilum piece. Fiber blending is avoided.
Papua New Guinea -
The Bilum of Papua New Guinea_BUKI ARAPESH DIALECT PATTERN NAMES
These are main features of the popular sacred Sepik bilum designs and patterns. With names in Buki Arapesh dialect, these pieces depict the most sacred traditions, cultural values, rituals for harvest and festivals, leadership status, and prestige in a traditional social system.
Papua New Guinea -
The Bilum of Papua New Guinea_BUKI ARAPESH DIALECT PATTERN NAMES
These are main features of the popular sacred Sepik bilum designs and patterns. With names in Buki Arapesh dialect, these pieces depict the most sacred traditions, cultural values, rituals for harvest and festivals, leadership status, and prestige in a traditional social system.
Papua New Guinea -
The Bilum of Papua New Guinea_RIGO BILUM
Rigo Bilum.\n\nRigo bilum pieces found in Central Province have distinct local dialect names and serve different purposes. The bilum has common features such as national colors, structure, designs, and patterns.
Papua New Guinea -
The Bilum of Papua New Guinea_FIBER MAKING PLANTS
PNG plants naturally and wildly grow in the country's tropical environment (on both coastal and higher altitudes) while others are nurtured. Distinct plants are used by different traditional societies. Fibers are extracted from barks of these plants.
Papua New Guinea -
The Bilum of Papua New Guinea_FIBER MAKING PLANTS
PNG plants naturally and wildly grow in the country's tropical environment (on both coastal and higher altitudes) while others are nurtured. Distinct plants are used by different traditional societies. Fibers are extracted from barks of these plants.
Papua New Guinea -
The Bilum of Papua New Guinea_FIBER SUN DRYING
Extracted fibers are sun-dried for half or whole day depending on the type of fiber. Fiber is either hung or laid on a flat surface--both methods are accepted.
Papua New Guinea