Materials
mobile
ICH Materials 19
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(9)-
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Knowledge and skills in making yurta-marquee
O'TOV (yurta-marquee) - mobile home, residence; the main residence of nomadic, semi-nomadic peoples. It is made of light raw materials (mainly wood) in a conical shape: a circular grill consists of a wall and a top part, covered with felt; therefore it is called "house", "felt house". A hearth is placed in the middle of the fire, and the interior is divided into parts (women's part, men's part, etc.) in a unique way. O'tov, which is the same in terms of structure, differs in appearance (decoration), height, and size. The word "Otov" was used to refer to houses built for brides, often covered with new white felt; white cloth is covered over new felt, decorated with white ropes. More luxurious O'tov is called "white house". Ordinary Otovs, often restored Otovs for household needs, are called "black houses". In historical written sources, it is noted that O'tov existed in the peoples living in Central Asia and South Siberia since ancient times, and even in the Middle Ages, O'tov was used to sew large four-wheeled carts. Until the beginning of the 20th century, Otov was present in several peoples of Central Asia and Central Asia, South Siberia, as well as Mongols and others. As a result of the settlement of peoples, O'tov partially lost its importance; mainly shepherds use it as a comfortable shelter.\n
Uzbekistan -
Traditional Malay Opera
Bangsawan is a transitional theatre which played its role as a transitional link between traditional Malay theatre and modern Malaysian drama. Bangsawan served as an entertainment and an important link in the history of Malaysian theatre. The introduction of bangsawan (Malay opera) in Malaya in the 1880’s started a pursuit for theatre arts which then became very popular for more than 70 years. Bangsawan first started in the state of Penang, and later spread throughout the whole country and even to Indonesia. Bangsawan did not originate from Malaya, in actual fact bangsawan was ‘adopted’ from a mobile theatre that came from India. In the 1870’s, Penang was under the influence of a mobile theatre named ‘Wayang Parsi’ (Parsi Theatre) or ‘Mendu’. This troupe performed plays or tales in the Hindi language, and the actors and actresses were brought in from India. The ‘Wayang Parsi’ was later taken over by Mohamed Pusi, a local master from the Jawi Pekan community in 1884 and it was renamed ‘Wayang Bangsawan’. The name of the first bangsawan troupe was Pusi Indera Bangsawan of Penang which started performances in 1885, using the Malay language. This troupe travelled to the whole country and even Sumatra to perform. In Kuala Lumpur, the current Sungei Wang Plaza site was the former venue for the staging of bangsawan performances and it was known as ‘Happy World’.
Malaysia -
Traditional Malay Opera
Bangsawan is a transitional theatre which played its role as a transitional link between traditional Malay theatre and modern Malaysian drama. Bangsawan served as an entertainment and an important link in the history of Malaysian theatre. The introduction of bangsawan (Malay opera) in Malaya in the 1880’s started a pursuit for theatre arts which then became very popular for more than 70 years. Bangsawan first started in the state of Penang, and later spread throughout the whole country and even to Indonesia. Bangsawan did not originate from Malaya, in actual fact bangsawan was ‘adopted’ from a mobile theatre that came from India. In the 1870’s, Penang was under the influence of a mobile theatre named ‘Wayang Parsi’ (Parsi Theatre) or ‘Mendu’. This troupe performed plays or tales in the Hindi language, and the actors and actresses were brought in from India. The ‘Wayang Parsi’ was later taken over by Mohamed Pusi, a local master from the Jawi Pekan community in 1884 and it was renamed ‘Wayang Bangsawan’. The name of the first bangsawan troupe was Pusi Indera Bangsawan of Penang which started performances in 1885, using the Malay language. This troupe travelled to the whole country and even Sumatra to perform. In Kuala Lumpur, the current Sungei Wang Plaza site was the former venue for the staging of bangsawan performances and it was known as ‘Happy World’.
Malaysia -
Traditional Malay Opera
Bangsawan is a transitional theatre which played its role as a transitional link between traditional Malay theatre and modern Malaysian drama. Bangsawan served as an entertainment and an important link in the history of Malaysian theatre. The introduction of bangsawan (Malay opera) in Malaya in the 1880’s started a pursuit for theatre arts which then became very popular for more than 70 years. Bangsawan first started in the state of Penang, and later spread throughout the whole country and even to Indonesia. Bangsawan did not originate from Malaya, in actual fact bangsawan was ‘adopted’ from a mobile theatre that came from India. In the 1870’s, Penang was under the influence of a mobile theatre named ‘Wayang Parsi’ (Parsi Theatre) or ‘Mendu’. This troupe performed plays or tales in the Hindi language, and the actors and actresses were brought in from India. The ‘Wayang Parsi’ was later taken over by Mohamed Pusi, a local master from the Jawi Pekan community in 1884 and it was renamed ‘Wayang Bangsawan’. The name of the first bangsawan troupe was Pusi Indera Bangsawan of Penang which started performances in 1885, using the Malay language. This troupe travelled to the whole country and even Sumatra to perform. In Kuala Lumpur, the current Sungei Wang Plaza site was the former venue for the staging of bangsawan performances and it was known as ‘Happy World’.
Malaysia