15 December 2021: Sixteenth session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage approved the inscription of Tais on the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding. \n\nAs the first inscription of Timor-Leste’s ICH element to the list, ICHCAP has been requested by the UNESCO Jakarta Office for cooperation projects on the transmission and promotion of Timor-Leste’s ICH and plans to cooperate with local NGOs and plan possible projects. Safeguarding and promoting these rich cultures need research, publication and production. Moreover, as general masses could be reached through audio-visual production to promote and safeguard these cultures, academically arranged narratives processed into visual presentations such as documentary productions are crucial and timely. \n\nThis informational and promotional material development project adds continued value to the Timor-Leste National Commission for UNESCO’s work with the National ICH committee that undertakes to nominate the element (Tais) to the Urgent Safeguarding List with the international assistant. \n\nTimor-Leste National Commission for UNESCO agrees to employ Merkurius Yung with the position of Director of CEVNAG Production Film in accordance with the terms set out in the Term of Reference (ToR). In this position, the Director of CEVNAG Production Film, as well as a consultant, reported to Timor-Leste National Commission for UNESCO on 2 (two) items such as video production for Tais and Uma Lulik, and 14 (fourteen) elements of the Inventory Booklet project. The process sites cover the municipalities such as Baucau, Bobonaro, Covalima, Ermera, Lautem and Oecusse. \n\n(ICHCAP has the original file)\n

Baor-making is a unique skill of the Maranao people. With its embossed handmade and intricate designs – particularly called okir – this skill has claimed a recognition abroad. nOkir is folk motifs found in various artworks and objects, they are usually inspired from detailed and different curves and no machines involved.\nBaor is a maranao translation of baul or the trunk.\nAside from the famous Darangen, a singing-like epic storytelling originally from the Maranao people as well, which belong to the top three of United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed intangible cultural heritage of the Philippines, baor-making skill is listed as an element among the other 366 under the inventory of Philippine Inventory of Intangible Cultural Heritage.\nHowever, since the 2016 Martial Law declaration in Mindanao stricter regulations are implemented on trees-cutting that are main ingredient to produce baor. Tree like the Philippine National Tree Narra.\nThe absence of professional teaching also creates significant hole for the identity of Maranao younger generations. As of the moment, the only way to transmit the skill is learning the techniques by observing elders while at home.\nThese reasons lead to saddening thought that the Tugaya’s one of a kind skill is slowly dying because youth have now better, numerous options to survive the living over the dynamic society.\nAlthough baor-making is traditionally originated in Tugaya, a small municipality in Lanao del Sur, there is a man who has been living so far from the root of baor-making: Abdulsamad Usman, 58, has been dwelling his fate on making and selling baor amidst the Taguig city’s uncertainties.\nnTaguig is one of the urban cities in Metro Manila, National Capital Region. The gap between Tugaya and Taguig is at least one-thousand kilometers.\nAccording to Usman, more or less a month period before finishing a medium-sized baor. He can carve designs and paint them. He, with his team, is the only considered baor maker who practice the skill in Metro Manila.\nUsman strongly believes that baor-making will not vanish from the present and history because the skill has been playing a huge part for the Maranaos’ culture and identity.\nn기타설명nBaor-making is a unique skill of Maranao people from Tugaya, Lanao del Sur. Baor is a maranao translation of baul or the trunk. The designs embossed in it are called okir --- detailed and different curves. They are handmade and no machines involved. Tugaya is a small community in Lanao del Sur, a province in Mindanao.\nThe skill is considered as an intangible cultural heritage (ICH) among the other 366 listed under the inventory of Philippine Inventory of Intangible Cultural Heritage.