Materials
spirit
ICH Materials 698
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Mongolian Culture and HeritageThe culture of the Central Asian steppes expresses itself vividly in the lifestyle of traditional nomadic practices. Mongolian culture has been in practice in the nomadic life and the traditions surrounding the nomad’s home (ger). And it is present in religious celebrations, national festivals, art and crafts, music and dance, language and literature, which form the backbone of Mongolian intangible cultural heritage of Mongolia. Mongolia is filled with valuable cultural properties and intangible cultural heritage of humanity that have been kept or practiced for thousands of years.\n\nGer, Mongolian Traditional Dwelling\nThe traditional architecture of the Mongols differed strongly from that of the settled peoples of Asia and other continents. Centuries ago, there the ger, also known as a yurt, appeared. It still offers shelter to nomads in particular places in Central Asia. Its development and fundamental principles are determined by the specific features of the way of life of Mongol tribes, which made it necessary to evolve a light and collapsible structure to be used as a dwelling or for public functions.\n\nMongolian Language and Literature\nMongolian is the language of most of the Mongolian population and inner Mongolia. By origin, Mongolian is one of the Altaic family of languages, and the history of the Mongolian language is long and complicated. Significant literary work of early Mongolia includes The Secret History of the Mongols, which was published in 1228).\n\nMongolian Religion and Beliefs\nThe Mongols have practiced several religions, of which Shamanism and Buddhism were the most common. The faith in Mongolia is Buddhism, though the state and religion were separated during the socialist period, but with the transition to the parliamentary republic in the 1990s, there has been a general revival of faiths across the country\n\nMongolian Art and Crafts\nMongolian arts and crafts have been passed down across generations from the Paleolithic times to today, leaving behind deep impressions on all facets of life and conscious, aesthetic, and philosophical thinking. Highly developed Mongolian arts and crafts come from the second millennium BCE. The works included sculptured heads of wild animals with exaggerated features. Other items include knives, daggers, and other items of practical and religious use.\n\nMongolian Music and Dance\nMusic is an integral part of Mongolian culture. Among Mongolia’s unique contributions to the world’s musical culture are the long songs, overtone singing, and morin khuur (the horse-headed fiddle). The music of Mongolia is also rich with varieties related to the various ethnic groups of the country. Among the most popular forms of modern music in Mongolia are Western pop and rock genres and the mass songs written by contemporary authors in the form of folk songs.\n\nHorse Culture of Mongolia\nIt is famously known that horses play a large role in the Mongols’ daily and national lives. Common sayings are, “A Mongol without a horse is like a bird without wings,” and “Mongols are born on horseback” these are arguably true words. Even today, horse-based culture is still practiced by nomadic Mongolians.\n\nVisit https://www.toursmongolia.com/tours for additional information about Mongolian culture.\n\nPhoto 1 : Prairie meadow grass inner Mongolia traditional clothing © Batzaya Choijiljav\nPhoto 2~7 : © Batzaya ChoijiljavYear2020NationMongolia
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"Pandanus Bank Blong Mi: Restoring Women’s Weaving in Post-Disaster Vanuatu""Ambae Island, Vanuatu: Home to more than 11,000 people, the people indige- nous to the land. In April 2017, Ambae’s Manaro volcano, Mount Lombenben, rumbled continuously, spewing torrents of volcanic matter and gas from its crater, covering the majority of the island in thick layers of ash, hampering water sources, and destroying vegetable plots and gardens. The government of Vanuatu ordered a mandatory evacuation of the island and the people of Ambae were forced to relocate to neighboring islands— Pentecost, Maewo, and Espiritu Santo—leaving their homes, animals, and crops behind. The impact was devastating. Schooling was disturbed, livelihoods perished, and many people struggled with trauma and the challenges of integrating into new communities where they didn’t have strong connections or access to land and natu- ral resources."Year2021NationSouth Korea
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RHAPSODES OF UNITY AND THE PRESERVATION OF ETHNO-CULTURAL IDENTITYThe rapid processes of globalization and mass culture have increased interest among the Kyrgyz people regarding traditional culture for the preservation of historical memory and ethno-cultural identity. In this, the role of UNESCO is remarkable, one which promotes the preservation, development, and dissemination of national culture as well as contributes to transmitting culture and ensures its continuity over time.Year2010NationSouth Korea
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PACIFIC ISLANDS MUSEUMS ASSOCIATIONThe Pacific Islands Museums Association (PIMA) is a regional, non-governmental organization that assists museums, cultural centers, national trusts, cultural departments and ministries, cultural associations, and arts councils. PIMA acknowledges the richness of the Pacific’s ICH and has undertaken some successful initiatives to support ICH safeguarding.Year2011NationSouth Korea
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DAEBOREUM FOLK AND CULTURAL DIVERSITYOne passageway can have different meanings due to the different mind-set of different persons. Likewise, a change in a viewpoint transforms an ordinary object into something symbolic. The reasoning is the same when a thing nothing more than a ‘movement’ lastly becomes a ‘flower’ and ‘significant’ once it is called by its name.Year2011NationSouth Korea
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KÉO CO, VIETNAMESE TUG-OF-WARVietnam has various forms of tug-of-war (kéo co). The characteristics of each form are defined by the ethnic group practicing as well as the location in which the games are performed. While practiced throughout the country, tugging rituals and games are concentrated mostly in the northern midlands, the Red River Delta, and the north central region, the ancient land of the Viet and the cradle of the native wet rice culture and Red River civilization. In addition, the games are played widely by ethnic minorities, such as the Tay, Thai, Giay, La Ha, and H’Mong, in the northern mountains.Year2014NationSouth Korea
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ICH as a Legitimation Strategy for Traditional and Complementary Healing Methods?As a cultural anthropologist with a special interest in healing knowl-edge situated outside classic biomedicine, I have been observing the implementation of the UNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage (ICH) since 2007, when it was first discussed, all the way through to its ratification and subsequent imple-mentation in Austria. One of the first tasks was to survey healing and health practices as possible elements for inscription on the National Inventory of ICH in Austria. First, it was necessary to define the crite-ria for inscription and to decide what sort of practical and theoretical healing knowledge should and may be included in the inventory and what not to inscribe, respectively. Moreover, who was to decide what constitutes ICH worthy of safeguarding? These were the most urgent questions at the beginning of what was to become an extremely enrich-ing learning process.In the interest of exploring these core questions, the 2007–2010 period saw a research project conducted under my leadership that had been initiated by the Austrian Commission for UNESCO and was financed by both the Austrian Federal Ministry of Health and the insur-ance company UNIQA.Year2019NationSouth Korea
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A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th AnniversaryFolkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture.Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as followsYear2018NationSouth Korea
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DARANGEN, THE MARANAO EPICThe Maranao of Lanao del Sur, Mindanao, Philippines has a vibrant culture that is evident in their way of living. It is as colorful as the malong1 they wear and as elaborate as the okir2 designs on their architectural structures. One of the more intricate pieces making up Maranao culture cannot be touched but heard through the epic singing of the Darangen.Year2018NationSouth Korea
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DHAMRAI METAL CRAFTS—THE SAGA OF A RICH CULTURAL HERITAGEDhamrai, the main center of metal casting in Bangladesh, is located about thirty-nine kilometers northwest of Dhaka, the capital city. A visitor to the quiet rural setting was once greeted by natural sounds and bustles of sounds, the clanging of metals, which made a wonderful rhythm of working melodies. This transpires the existence of metal crafts being an important part of Bengal’s rich artistic tradition that dates to before 2000 BCE on the Indian peninsula. History suggests that some of the greatest metal craft masterpieces of all times, made here by skilled artisans and sculptors, were magnificent in design, exclusivity of details, and workmanship. But over time, the cultural heritage, exceptionally rich in aesthetics and artistry, has fallen from its glory and only a few artisans are toiling to revive this millennium-old art form.Year2018NationSouth Korea
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The Cultural Struggles of Shamanistic Healing Traditions in IndiaThese are strange times in India to discuss and evolve strategies for safeguarding the genuine shamanistic heritage of India. Let me begin by narrating two isolated but weird incidents, which generated a great media backlash against shamanistic traditions and the practices in the Indian public sphere in the last two months. Describing them would outline the cultural struggles, shamanistic healing traditions face in India today. It is only a coincidence that the assassination of anti- superstition activist Narendra Dabholkar1 was followed within a fortnight by the arrest of a self styled god-man Asaram Bapu2 on charges of sexual assault on a 16-year-old schoolgirl. But both the incidents were earily connected a s if they were episodes in a novel o f Haruk i Murak ami because Asaram Bapu’s criminal misconduct closely fits some of the offences defined under anti-superstition and anti shamanistic ordinance Dabholkar was campaigning for.Year2013NationIndia
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Establishing and Managing Online Databases and Archives for ICH SafeguardingWith recent recognition of the value of intangible cultural heritage (‘ICH’ hereafter) elements of a specific society, movements have emerged to signify them as common cultural heritage of humanity. These movements are related with UNESCO's activities, and they are spreading across the world as cultural movements to newly evaluate disappearing traditional culture and safeguard them. As part of these movements, UNESCO stresses that, by announcing the Convention for the Safeguarding of the Intangible Cultural Heritage in 2003, protection and management of ICH are the way of preserving traditional culture of each country as well as that of safeguarding cultural resources of humanity. \nYear2012NationSouth Korea