The SEAC team held a seminar at Fatumea, Covalima municipality, with Tebe Otas-Uluk practitioners and local authorities. The event emphasized the importance of preserving the traditional Tebe Otas-Uluk dance and ensuring its transmission to future generations. The dance involves two concentric circles—men in the inner circle and women in the outer—holding hands as they perform. Highlights included dancers in traditional attire, cultural discussions, and collaborative moments captured in photos. The seminar showcased the rich heritage of the Fatumea community.

The SEAC team held a seminar at Fatumea, Covalima municipality, with Tebe Otas-Uluk practitioners and local authorities. The event emphasized the importance of preserving the traditional Tebe Otas-Uluk dance and ensuring its transmission to future generations. The dance involves two concentric circles—men in the inner circle and women in the outer—holding hands as they perform. Highlights included dancers in traditional attire, cultural discussions, and collaborative moments captured in photos. The seminar showcased the rich heritage of the Fatumea community.

The SEAC team held a seminar at Fatumea, Covalima municipality, with Tebe Otas-Uluk practitioners and local authorities. The event emphasized the importance of preserving the traditional Tebe Otas-Uluk dance and ensuring its transmission to future generations. The dance involves two concentric circles—men in the inner circle and women in the outer—holding hands as they perform. Highlights included dancers in traditional attire, cultural discussions, and collaborative moments captured in photos. The seminar showcased the rich heritage of the Fatumea community.

The SEAC team held a seminar at Fatumea, Covalima municipality, with Tebe Otas-Uluk practitioners and local authorities. The event emphasized the importance of preserving the traditional Tebe Otas-Uluk dance and ensuring its transmission to future generations. The dance involves two concentric circles—men in the inner circle and women in the outer—holding hands as they perform. Highlights included dancers in traditional attire, cultural discussions, and collaborative moments captured in photos. The seminar showcased the rich heritage of the Fatumea community.

Rooted in the ancestral traditions of the Fatumea and Fohorem communities in Covalima Municipality, Tebe Otas-Uluk is more than a dance—it is a collective act of memory, identity, and reverence. The name itself combines “tebe” (a traditional line dance) with Otas (ancestor) and Uluk (first or origin), signaling a ritual expression dedicated to those who came before.\n\nTraditionally performed by the elders of the community, this dance takes place during important communal gatherings such as ceremonies of healing, protection, thanksgiving, or agricultural celebration. Participants often wear traditional attire and move in side-by-side formations, linked by hands or shoulders, stepping rhythmically in unison to the beat of local drums, gongs, or the babadok (a hand-held percussion instrument). The dance circle forms a symbolic space where the living and the spirits of the ancestors meet.\n\nWhat sets Tebe Otas-Uluk apart is its solemn and purposeful character. The movement vocabulary is simple yet powerful: synchronized steps, grounded footwork, and fluid arm gestures that flow with the communal rhythm. Songs are chanted throughout the dance in the Tetun-Terik language, often carrying metaphorical meanings related to the land, family, and the ancestors’ wisdom. The lyrics function as oral archives, preserving knowledge and history that is not written but remembered through voice and motion.\n\nBecause of its deep spiritual roots, this dance is only performed on specific occasions, often after traditional leaders conduct consultations with spiritual entities or conduct rituals to prepare the ground. Each gesture, each chant, is believed to activate a connection to the ancestral realm—inviting blessings, healing, or protection for the community.\n\nIn recent years, however, the practice has become increasingly rare, with fewer young people learning the movements or understanding the embedded meanings. Despite this, dedicated elders continue to lead and teach the dance, ensuring its survival as a living heritage. For them, Tebe Otas-Uluk is not simply a performance—it is a prayer in motion, a ceremony that anchors the community to its origins and affirms its cultural continuity.

This brochure introduces 14 intangible cultural heritage elements of Timor-Leste. \n\nThe publication is a result of a cooperative project between the Timor-Leste National Commission for UNESCO and ICHCAP.

This brochure introduces 14 intangible cultural heritage elements of Timor-Leste.\n\nThe publication is a result of a cooperative project between the Timor-Leste National Commission for UNESCO and ICHCAP.