Materials
transportable
ICH Materials 18
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Living Heritage Series-Traditional Musical Instruments
ICHCAP published the book Living Heritage Series – Traditional Musical Instruments in collaboration with the ICH NGO Forum’s #HeritageAlive.\n\nProven from a long history, music shares thoughts and emotions among community members who play the instruments and enjoy it. This book was made with the contributions of fifteen writers from countries across the globe. The authors describe the current status of traditional music and provide insight on how to revitalize these traditions based on the 2003 Convention.
South Korea 2021 -
2022 Living Heritage Series: Water
ICHCAP published the book Living Heritage Series, Water: Interconnectivity between Intangible Cultural Heritage and Science in collaboration with the i-WSSM.\n\nThe subject of this publication is water. This book was made with contributions of nine authors with stories about ‘water management’ and ‘water and culture’ of the Asia Pacific region. The objective of the publication is to expand the boundary or interface of water centering on Sustainable Development Goals (SDGs) 6, Clean Water and Sanitation.
South Korea 2022 -
2010 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Bangladesh
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some South Asian countries (2010–2013), this summary provides a brief overview on the ICH situation in Nepal, Bhutan, Bangladesh, Pakistan, and Sri Lanka . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. Some information on the ICH safeguarding status of Pakistan is updated, based on Periodic Report No.00794/Pakistan on the implementation of the Convention and on the status of elements inscribed on the RL submitted to UNESCO on December 2012. \n\nThis survey report offers a large sample of the diverse ICH situations in South Asian countries. Each country has a different background on the issue of intangible heritage. Although all the participating countries are concerned about the threats facing ICH, most of the countries participating in the survey haven’t defined the ICH and haven’t established national ICH lists and/or ICH inventories. However, each country expresses a high degree of motivation and encouragement for safeguarding o ICH, sharing experiences, and cooperating internationally. A common point noticed among them is that they tend to pay more attention to traditional performing arts in comparison to other ICH domains. Apart from the main subject, information on the situation of intellectual property related to ICH safeguarding in each country is included. However, this issue is very briefly reflected, so it is necessary to go through the ICHCAP Field Survey on Intellectual Property Issues in the Process of ICH Information Building and Information Sharing (2011–2012) to obtain more comprehensive and concrete information on this topic.\n\n- Ratified the ICH Convention in 2009; conducted survey in 2010\n- As of April 2013, has one element on the RL of UNESCO and no accredited NGOs
Bangladesh 2010 -
2012 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Kazakhstan
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some East and Central Asian countries from 2009 to 2012, this summary provides a brief overview on the ICH situation in Uzbekistan, Tajikistan, Kyrgyzstan, and Kazakhstan . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. This survey report offers a large sample of the diverse ICH situations in East Asian and Central Asian countries. Although each country has a different background on issue of intangible heritage, depending on its cultural, economic, and socio-political situation, the countries participating in the survey share a commonality: They are post-communist countries that were once under the Soviet system. Moreover, they share a traditional culture shaped by nomadic pastoralism that offers a variety of cultural similarities. For instance, they keep an ancient and rich tradition of epic singing, and they are highly concerned about this oral heritage as it is on the brink of disappearance. In this sense, they have much to exchange and share in regards to safeguarding ICH. The countries participating in the survey are concerned with the threats against their ICH, but most of these nations are in the early process of defining ICH and establishing independent national ICH lists. At the same time, each country expresses a high degree of motivation and encouragement for safeguarding ICH, sharing experiences, and participating in international cooperation programmes. Apart from the main subject, a brief glimpse is taken on the situation of intellectual property in ICH safeguarding in each country. Compared to the Southwest Asian countries that participated in the field survey, the East Asian and Central Asian countries provided little information on intellectual property issues, so it is recommended that ICHCAP undertake the Field Survey on Intellectual Property Issues in the Process of ICH Information Building and Information Sharing in some countries to see their status on this subject.\n\n- Ratified the ICH Convention in 2011; survey conducted in 2012\n- As of December 2014, has two ICH elements on the RL and two accredited NGOs
Kazakhstan 2012
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3. Safeguarding the Furruco and the Cirrampla of Casanare, ColombiaColombian cultural diversity is marked by its triethnic influence from European, indigenous, and African traditions, added to a strong regional division due to the geographical differences throughout its territory. One of those regions is found on the eastern side, called Llanos Orientales(eastern plains), whose traditions are also shared with Venezuela, with four main departments: Arauca, Casanare, Meta, and Vichada. The llano folklore is undoubtedly the main element that culturally identifies the Casanare department, and from this phenomenon is where the idiosyncrasy and feelings of the llanero people come. \n\nHowever, as is the case with all cultural phenomenon, it is not static and immutable. It is on the other hand, variable and mutable. Thus through time and from different economic, political, geographical, and religious circumstances, among others, the musical traditions have been presenting a series of changes and transformations that have been visible in each period of the region's history. In this historical process, specific stages can be identified where some musical instruments are presented as the soul of the llanos musical tradition, reaching what we commercially know today as the Llanero ensemble, namely: harp, cuatro, maracas, and bass. However, these instruments have not been the same throughout history.Year2021NationColombia
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5. Sustainability, Landscape Context, and Water Puppet Culture in the Red River Delta, VietnamWater puppetry is identified widely as an artistic form that has sprung from the characteristics of particular landscapes and the lives and shared stories of their communities. In the Red River Delta (RRD) in Vietnam, it is documented as having developed in the rice-growing area in the tenth/eleventh century (Dunning, 1996 2021; Gaboriault, 2009), with the first physical evidence of performance held in the Th\nầy Temple, Hà Tây Province, during the Late Lê (Ly) Dynasty (1428–1778). The inscription on the Sùng Thiên Diên Linh stone stele (tablet) of 1121 at the Doi San ̣Pagoda, Duy Tien District (around 50 kilometers from Hanoi), provides evidence of water puppetry based on stories that reflect local lives and livelihoods and mythical creatures such as the golden tortoise, fairies, and flocks of birds and animals singing and dancing (Hai, 2006). Water puppet performance is a collaboration between puppeteers, musicians, the audience, and, \nimportantly, the character of the staging and spatial context of the performance within water landscapes. Today, performances generally consist of a series of short vignettes based on stories of traditional delta life and livelihoods, commonly interspersed with folk tales and mythological characters.Year2022NationUnited Kingdom