Materials
physical training
ICH Materials 24
Photos
(17)-
Silat
Malay martial arts of Silat.
Malaysia -
Silat
Malay martial arts of Silat.
Malaysia -
Silat
Nowadays, the practitioners of Silat consist of Master/Guru/Teacher, Jurukaka/assistant/senior student and students regardless of gender, race, age, and background of their formal education. They are Silat practitioners who responsible for maintaining the practice of Silat and the continuation of Silat. They are members of the local community, living in the same vicinity. Masters are responsible for educating every student. The difference between the Jurukaka and the student is that Jurukaka is a senior student who has mastered some knowledge of Silat from his Master. Jurukaka is among the chosen individuals from the students and often has the potential to be a representative of the Master in training other students.
Malaysia -
Silat
Nowadays, the practitioners of Silat consist of Master/Guru/Teacher, Jurukaka/assistant/senior student and students regardless of gender, race, age, and background of their formal education. They are Silat practitioners who responsible for maintaining the practice of Silat and the continuation of Silat. They are members of the local community, living in the same vicinity. Masters are responsible for educating every student. The difference between the Jurukaka and the student is that Jurukaka is a senior student who has mastered some knowledge of Silat from his Master. Jurukaka is among the chosen individuals from the students and often has the potential to be a representative of the Master in training other students.
Malaysia -
Silat
Silat has been a symbol of pride and identity of the Malay community for centuries, being passed down through generations. From being a martial art primarily used for self-defence, silat has grown into becoming a life principle for its practitioners. Through cinematic reenactments and interviews, three silat practitioners and researchers in Malaysia explain the history and philosophy of silat through its three fundamental elements — foundation, pillar, and movements — designed to build character and instill values of civility.
Malaysia -
Silat
Nowadays, the practitioners of Silat consist of Master/Guru/Teacher, Jurukaka/assistant/senior student and students regardless of gender, race, age, and background of their formal education. They are Silat practitioners who responsible for maintaining the practice of Silat and the continuation of Silat. They are members of the local community, living in the same vicinity. Masters are responsible for educating every student. The difference between the Jurukaka and the student is that Jurukaka is a senior student who has mastered some knowledge of Silat from his Master. Jurukaka is among the chosen individuals from the students and often has the potential to be a representative of the Master in training other students.
Malaysia -
Silat
Nowadays, the practitioners of Silat consist of Master/Guru/Teacher, Jurukaka/assistant/senior student and students regardless of gender, race, age, and background of their formal education. They are Silat practitioners who responsible for maintaining the practice of Silat and the continuation of Silat. They are members of the local community, living in the same vicinity. Masters are responsible for educating every student. The difference between the Jurukaka and the student is that Jurukaka is a senior student who has mastered some knowledge of Silat from his Master. Jurukaka is among the chosen individuals from the students and often has the potential to be a representative of the Master in training other students.
Malaysia -
Silat
Nowadays, the practitioners of Silat consist of Master/Guru/Teacher, Jurukaka/assistant/senior student and students regardless of gender, race, age, and background of their formal education. They are Silat practitioners who responsible for maintaining the practice of Silat and the continuation of Silat. They are members of the local community, living in the same vicinity. Masters are responsible for educating every student. The difference between the Jurukaka and the student is that Jurukaka is a senior student who has mastered some knowledge of Silat from his Master. Jurukaka is among the chosen individuals from the students and often has the potential to be a representative of the Master in training other students.
Malaysia -
Silat
Silat has been a symbol of pride and identity of the Malay community for centuries, being passed down through generations. From being a martial art primarily used for self-defence, silat has grown into becoming a life principle for its practitioners. Through cinematic reenactments and interviews, three silat practitioners and researchers in Malaysia explain the history and philosophy of silat through its three fundamental elements — foundation, pillar, and movements — designed to build character and instill values of civility.
Malaysia -
Kathakali - Daksha Yaagam
This is a dance in the Kathakali tradition, one of the 4 major traditional dances of India, based on the story of Daksha Yaagam, about King Daksha, father of Sathi, wife of Shiva. Kathakali is a traditional art form dating back 600 years, originating from Kerala State in Southwest India in the 17th century. It is a comprehensive theatrical performance combining dance, theatre, music, makeup and costumes in a cohesive whole. Just like the Bharatanatyam, the Kathakali is a religious play in which the performer recites stories in the form of poetry and expresses it through dance and acting. The plot of Kathakali dances are based on traditional stories such as the epics of Mahabharata, Ramayana and Shaiva which form the roots of inspiration in Indian culture. At the core of the aesthetics of Indian dance is the purpose of oneness with the supernatural or rasa.\n\nKathakali performances begin at 6 pm in outdoor stages and carry on until morning the next day. Thus, it requires great physical and mental strength, and only dancers who have gone through the toughest training are allowed to perform. Traditionally, the dance was performed only by men and male dancers played women’s roles as well. Although it was a form of high culture, only performed in the royal courts in the 17th century, it is now widely enjoyed by the general public.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n\nPerformed by Kallekulangara Kathakali Foundation\nChoreographed by P.N.Ventikattaraman
India -
Kathakali - Daksha Yaagam
This is a dance in the Kathakali tradition, one of the 4 major traditional dances of India, based on the story of Daksha Yaagam, about King Daksha, father of Sathi, wife of Shiva. Kathakali is a traditional art form dating back 600 years, originating from Kerala State in Southwest India in the 17th century. It is a comprehensive theatrical performance combining dance, theatre, music, makeup and costumes in a cohesive whole. Just like the Bharatanatyam, the Kathakali is a religious play in which the performer recites stories in the form of poetry and expresses it through dance and acting. The plot of Kathakali dances are based on traditional stories such as the epics of Mahabharata, Ramayana and Shaiva which form the roots of inspiration in Indian culture. At the core of the aesthetics of Indian dance is the purpose of oneness with the supernatural or rasa.\n\nKathakali performances begin at 6 pm in outdoor stages and carry on until morning the next day. Thus, it requires great physical and mental strength, and only dancers who have gone through the toughest training are allowed to perform. Traditionally, the dance was performed only by men and male dancers played women’s roles as well. Although it was a form of high culture, only performed in the royal courts in the 17th century, it is now widely enjoyed by the general public.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n\nPerformed by Kallekulangara Kathakali Foundation\nChoreographed by P.N.Ventikattaraman
India -
Kathakali - Daksha Yaagam
This is a dance in the Kathakali tradition, one of the 4 major traditional dances of India, based on the story of Daksha Yaagam, about King Daksha, father of Sathi, wife of Shiva. Kathakali is a traditional art form dating back 600 years, originating from Kerala State in Southwest India in the 17th century. It is a comprehensive theatrical performance combining dance, theatre, music, makeup and costumes in a cohesive whole. Just like the Bharatanatyam, the Kathakali is a religious play in which the performer recites stories in the form of poetry and expresses it through dance and acting. The plot of Kathakali dances are based on traditional stories such as the epics of Mahabharata, Ramayana and Shaiva which form the roots of inspiration in Indian culture. At the core of the aesthetics of Indian dance is the purpose of oneness with the supernatural or rasa.\n\nKathakali performances begin at 6 pm in outdoor stages and carry on until morning the next day. Thus, it requires great physical and mental strength, and only dancers who have gone through the toughest training are allowed to perform. Traditionally, the dance was performed only by men and male dancers played women’s roles as well. Although it was a form of high culture, only performed in the royal courts in the 17th century, it is now widely enjoyed by the general public.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n\nPerformed by Kallekulangara Kathakali Foundation\nChoreographed by P.N.Ventikattaraman
India