Materials
mouth
ICH Materials 131
Videos
(35)-
Models and Melodies of Komuz
The film is dedicated to the Kyrgyz folk instrument komuz. An expert on making and playing komuz shares an komuz origin story. The film shows the interconnectedness between the models and melodies of komuz. Outstanding komuz makers and players as well as komuz beginners present some classical komuz melodies in the film.
Kyrgyzstan 2017 -
Uwang Ahadas - A Yakan Virtuoso
▶ Play Video 8. Uwang Ahadas A Yakan Virtuoso\nCourtesy of the Gawad sa Manlilikha ng Bayan Executive Committee\n\nThe Yakan inhabit the island of Basilan just off the southern tip of the Zamboanga Peninsula of western Mindanao, particularly in the municipalities of Tipo, Lamitan, Sumisip, and Tuburan, and the islands of Sacol, Malanipa, and Tumalutab east of Zamboanga. The Yakan belong to the widespread Sama group, and their culture has become too specialized to be distinguished as a distinct group.\n\nThe Yakan’s language is closely related to the Sama, but their culture is more land orientated rather than the sea based. Agriculture consists largely of upland rice, although copra is also widespread. The main religion is Islam with syncretic elements from traditional and indigenous beliefs.\n\nThe Yakan are well-known for their elaborate dress, which is similar for males and females. For instance, both wear trousers. Noteworthy articles include the kandit, a fifteen-meter-long red sash worn by men, and the pinantupan, the women’s overskirt. Textile weaving done on the backstrap loom is much sought after, especially because of the intricate and beautiful motifs. The Yakan is one of the few groups that use tapestry loom producing the sophisticatedly woven pis syabit (headscarf for men) and seputangan (head cloth for women).\n\nThe Yakan have a rich musical tradition based on the pentatonic scale. Their musical instruments are usually made of bamboo, wood, and metal. The daluppak is a digging stick with a bamboo clapper. The kopak-kopak is a bamboo clapper on a stick. The kwintangan kayu is a percussion instrument consisting of five wooden beams suspended horizontally. The ends of the beams are tapered, and these are beaten. It is associated with planting and played to enhance plant growth. The wooden tuntungan is a suspended wooden ercussion plank with jar resonators, played with a pole during the harvest season for the purpose of giving thanks. The gabbang is a bamboo xylophone with five bars. The suling is a bamboo mouth flute used by men in courting. Another used by men to express love or admiration is the kulaing. The kulintangan or kwintangan consists of five bronze gongs arranged according to size and used during celebrations. The agung is a large deep gong used in ensemble performance.
Philippines 1996 -
Nom Neal
Neal refers to a cake-making tool called NomNeal (Neal Cake). In some parts of Cambodia, this cake is an annual tradition associated with the ascension (Neak Ta) of the villagers near the Sambor Prei Kuk temple complex in Kampong Thom province. Every month, the locals prepare to make offerings to their Neak Ta, which is associated with the entire archeological site. There are two Neak Ta who are closely related to each other, the "gatekeeper or Neak Ta Tvear" and another one is “Neak Ta” who looks over the entire temples’ complex. In every house, the locals make cakes to donate for any ritual ceremonies.\n To make this cake, they need to mix white rice with some sticky rice and pound it together until it turns into powder. Then add a little bit of sugar and salt to make it taste salty and sweet. Before they start cooking, they boil water in a clay pot and put a coconut shell with a hole on the bottom on top of it. They put the rice flour around the edge of the clay pot so that no steam can come out of the mouth of the pot. They take two long banana leaves and put them on the bottom of the pot before pouring the flour into it. For this powder, they mix them with water to make it sticks together and becomes a paste and then cover it with two or three banana leaves before putting the lid on the pot and pressing it on for about 5 to 10 minutes. When the cake is ready, they remove the cover and touch the leaves. Peel a squash, grate it and squeeze the cake out of the Neal.\n
Cambodia -
Larchike New Chon Moe PyawHtwi (Buffalo’s Horn)
Before the period of 1963, Lashi/Lachik people settled in the mountain villages. The village head kept the buffalo horn in the house as an apparatus and he blew it for the gathering of the villagers to inform or decide something about the village. The young people also blow it in the sense of enjoyment when their high yielding crops are harvested. Sometimes when the lovers are in different mountains apart, the boyfriend informs his location to his girlfriend blowing this horn. At that time, the girlfriend returns a signal by setting fire something from her location.\nThe buffalo horn has to be boiled to get the flexibility for the desired shape. The big horns require the boiling for three hours at least. As the small horns can't produce the pleasant sound, only the big ones are chosen to make this musical instrument. But the extra large horns have to be blown with a great strength. It's blown by putting a great blow through the mouth-hole. Only those who have the even lip and teeth can blow it to produce the pleasant sound. Usually, the village head blows it in the longer tone while the dating of the lovers with it is in the shorter tone.\n-1 feet 2 inches in length\n-8.5 inches in circumference
Myanmar 2014-08-18 -
La Hu Flute
The dried gourd represents the father and the five reeds represent five sons. The first reed represents the son who lives on mountain. The second one does the son who lives in slope of mountain. The third one does the son who lives in the foot of mountain. The fourth one does the son who lives in the plain land. The fifth one does the son who lives in abroad. No matter where they live, the unity means everything for them.\nFive flutes are made of reed cut in desired measure. One hole is bored in each flute with a heated sharp iron. A reed is put in each flute to make pleasant sound. All five flutes are tied together and fixed at the hole of gourd. For the airproof, the hole of the dry gourd connected with the flutes is covered with the beeswax. It's blown by blowing at the mouth-hole of the gourd opening and shutting the holes of flutes with fingers
Myanmar 2014-07-13 -
La Hu Nor Wind instrument wich is made of bamboo and dried gourd
The dried gourd represents the father and the five reeds represent five sons. The first reed represents the son who lives on mountain. The second one does the son who lives in slope of mountain. The third one does the son who lives in the foot of mountain. The fourth one does the son who lives in the plain land. The fifth one does the son who lives in abroad. No matter where they live, the unity means everything for them.\nFive flutes are made of reed cut in desired measure. One hole is bored in each flute with a heated sharp iron. A reed is put in each flute to make pleasant sound. All five flutes are tied together and fixed at the hole of gourd. For the airproof, the hole of the dry gourd connected with the flutes is covered with the beeswax. It's blown by blowing at the mouth-hole of the gourd opening and shutting the holes of flutes with fingers
Myanmar 2014-07-13 -
Hne: gyi: (Big Oboe)
The hne or oboe- like wind instrument occupies a critical position in the Myanmar music troupe. It belongs to the group of wind instruments and can cover the chromatic scale. It is found portrayed on the wooden door of the northern building on the platform of Bagan's Shwezigon Zedi. There are two kinds of hne, the big and the small. The hne consists of five parts:\n1. Reed which is made of the leaf from the toddy palm;\n2. Mouth piece made of gold, silver, brass, bronze or steel\n3. Tube or body of wood from padauk, yindaik, pyinkado, teak\n4. Horn\n5. "dano" or "cheek- guard" made of metal which encircles the upper moulding of the body; it guards the cheek which swells when blowing.\nThe big hne is an essential instrument which is played pleasantly occasions such as the ploughing ceremony or royal regatta when it accompanies the big drum, the bjo, sidaw, boating song, yeginthan theme. The big hne plays mournfully on inauspicious occasions when lamentation is called for. It accompanies the braintaung (egret wing) theme. In earlier days the big hne was accompanied by two short drums and one vertical drum when propitiating the nats (spirits) with bpunza (drum food). The small hne is played briskly to accompany the pot-drum and dobat. Currently used is the hne which produces C sharp note when four holes are closed. The tones produced by the hne are;\n1. one hole closed for the fifth degree\n2. two hole closed for the sixth degree\n3. three hole closed for the seventh degree\n4. four hole closed for fundamental C\n5. five hole closed for the second degree\n6. six hole closed for the third degree\n7. seven hole closed for the fourth degree\nWhen all holes are open the tone produced is of the fourth degree.
Myanmar -
Akha Largyel Gourd Flute
Five pieces of bamboo are cut from a bamboo grown in the mountainous region and bored a hole on each five pieces of bamboo. A reed is put in each bamboo to make the pleasant sound. Those five pieces of bamboo are tied together and put in the hole of dried gourd. Then, the place met by bamboos with the dried gourd is covered with the bees wax to make air proof. The music melodies are made by blowing the mouth-hole of dried gourd and opening and shutting the finger holes on the bamboos alternatively.\n-13 inches of gourd flute in length\n-16 inches of dried gourd in height\n-9 inches of the longest bamboo piece in length\n-5.5 inches of the shortest bamboo piece in length
Myanmar 2014-07-12 -
Lachike Gan Gone crocodile tongue (Bamboo leg instrument)
There is a myth of Lashi/Lachik people related to this instrument. God created two human beings“LaPhyo and Ma Htew” at the time of beginning of the world. They are the ancesters of Lashi/Lachik people and had started blowing Gan Gone instrument until now. Lone Kyu bamboo is curved with knife. It has to keep in the mouth and breathe the air by striking with thumb finger.\n-8 inches in Length\n-5 inches in Length of Bamboo\n-0.5 inches in width
Myanmar 2014-08-18 -
Hmont (Myaungzee) Kein (Six Tunes Long Flute)
A piece of bamboo with the fair space of joints is cut and left to dry. The bamboo is split at the middle and three small bamboos with different lengths are inserted through it. Then, the split space is covered with iron sheet and sealed. The melodic sounds are made with it by blowing into the mouth-hole opening and closing alternatively on the finger holes. It's usually blown when the bachelors are courting the maids. The married men are restricted to blow it.\n-6 inches in length
Myanmar 2014-07-21 -
Ta Aung Palaung Ton Lit (bamboo flute)
It's blown when the buffalos are herded since the ancient time. A piece of Tinn bamboo is cut and left to dry. Then, seven holes are bored on it with a heated iron. The melodic sounds are made with it by blowing at the mouth-hole opening and closing alternatively on the finger holes. Only the folk melodies can be tuned with it. \n- 18 inches in length
Myanmar 2014-07-22 -
FingFund (3)
One side of bamboo pipe is cut off to be sharped. The air is blown from the bamboo pipe hole with mouth. It produces the song like as whistle. Five different sizes of bamboo pipes have to be blown together at the same time.\n-8 inches in length\n-2 inches in width
Myanmar 2014-02-20