The Yap State Historic Preservation Office (YSHPO), located in Yap State in the Federated States of Micronesia (FSM), operates under the Department of Youth and Civic Affairs of the Yap State Government and has a regular budget funded by the local government and the National Park Service (NPS) and the United States Department of the Interior (DOI). YSHPO also receives occasional funding assistance for projects, technical or capacity building, and training and workshops from esteemed regional and international organizations—such as UNESCO, ICHCAP, and CRIHAP—and various national governments, including those of Australia, France, United States, and the FSM. YSHPO also collaborates and networks with other regional organizations, universities, and other bodies. To name a few, they include the University of Oregon, the University of Guam, Queens College, La Trobe, and others by conducting field schools in Yap during academic breaks.\nYSHPO has five main functions: 1) collecting Yapese written and oral history, 2) registering and surveying cultural and historical properties, 3) inventorying and mapping cultural and historical sites and properties, 4) restoring and rehabilitating cultural and historic properties, and 5) performing general YSHPO administration, including NPS/DOI Historic Preservation Fund (HPF). The organization also occasionally assists and supports the operation of the Yap State Living History Museum. Of some related projects, ICHCAP has funded three in Yap: 1) Youth Meets ICH with OurYAP, an umbrella youth organization for all the youth clubs, including high school children in Yap State, 2) the Preliminary Survey on Dormant ICH Data in the Pacific with a mixture of project workers from the Waab Cultural Heritage Society (elders) and some young people along with YSHPO staff, and 3) the 2017 ICHCAP-YSHPO Joint Cooperation Project for Safeguarding Intangible Heritage by Digitizing ICH-Related Analogue Data of the FSM, which is still ongoing.

Pishin-Pajouh Cultural and Art Institute was established in 1997 by a group of archaeologists who were granted the needed certificates by the Iranian Ministry of Culture and Islamic Guidance. As its objective, the Institute seeks to promote studies on Iran, especially from archaeological and anthropological viewpoints. The institute enjoys its position as being among the first NGOs of its type. It was established at a time when Iranian cultural heritage authorities were gradually starting cooperation with the private sector.\nPishin Pajouh participated in this exhibition following an invitation by Dr. Yadollah Parmoun, Director of the Linguistic Atlas of Iran National Project and the Director of the Tehran ICH Centre. At the event, Pishin Pajouh presented the Linguistic Atlas of Iran as well as other achievements of the country in the field of intangible cultural heritage, including its inscriptions on UNESCO Lists.

\nThe Persian Garden Institute for Living Heritage (PGILH) is a non-governmental body which has as its primary purpose to contribute to the safeguarding of intangible cultural heritage in Iran and Western and Central Asia and to the implementation of the Convention for the Safeguarding of Intangible Cultural Heritage (UNESCO, 2003) both at the national and international levels. It aims to achieve this through research activities and projects, inventorying and documentation projects, capacity-building (in Iran and the region), developing files for international inscription, promotional activities, heritage needs assessment (tangible and intangible), providing stewardship services for museums and memory institutions, researching and promoting handicrafts, developing culturally-appropriate and sustainable tourism, translating, and publishing specialized texts, providing legal and policy consultation services, and providing other expert services in the field of cultural heritage.

The Center for Research and Promotion of Cultural Heritage (CCH), an affiliate institution of thenCultural Heritage Association of Việt Nam, a non-governmental organization (NGO) accredited bynUNESCO in 2011, has been officially operating since 2010. In pursuance of study objectives basednon the community within the framework of the UNESCO 2003 Convention for the safeguarding ofnthe intangible cultural heritage, CCH has carried out dozens of ICH projects and study themes fornthe past 8 years. One of the principles of CCH is to be chiefly connected to the study of communities. This has helpednin bringing about good achievements and sustainable development in study projects of CCH.\nLeaders of the Center are specialists in the field of intangible cultural heritage involving in thenimplementation of the 2003 Convention for the past 15 years. The number of projects and programsnimplemented by CCH each year constantly increased with new ones. CCH has become a truly usefulnbridge, linking state management bodies with communities; an organization that always assistncommunities in the safeguarding and promotion of their intangible cultural heritage. CCH isncurrently the leading organization under the Vietnam Association for Cultural Heritage in thensafeguarding of intangible cultural heritage. It has closely collaborated with a wide range ofnorganizations and institutions, especially local communities, in safeguarding projects that involveninventorying, heritage education, preparation of nominations, and exhibition.

Republican cultural institutions established on the basis of the organization, which has been operating since 1936, first in the form of the House of Folk Art, then the Republican Scientific and Methodological Center of Folk Art and Cultural Enlightenment, by the Decree of the President of the Republic of Uzbekistan dated February 15, 2017.\nThe scientific-methodical center for the organization of activities is a state institution under the Ministry of Culture of the Republic of Uzbekistan, whose main task is to comprehensively study the problems of public administration in cultural and art institutions operating in all regions of the country, as well as in the field of culture. to assist in the full implementation of state policy, to ensure active cooperation with public administration and local authorities, to preserve and develop the rich traditions and achievements of our national art, to promote theater, museums, library, creative associations, culture to raise the status of recreation and recreation parks, cultural and recreational centers and concert venues, to submit to the Ministry analytical and critical presentations on the activities of cultural and artistic institutions and to further develop and strengthen their material and technical base further development of creative work carried out by cultural institutions within the framework of its rights and obligations through the development of the necessary recommendations, the formation of a system of training and retraining in accordance with modern requirements and scientific and methodological activities.

\nThe Finnish Folk Music Institute Is a Centre for the Research and Presentation of Finnish Folk Music and Dance. Its premises are in the Folk Art Centre at Kaustinen, Central Ostrobothnia. The extensive archive and reference library are accessible for any user. The material consists of audio and video recordings, photos, literature and a newspaper clipping collection of over 100 000 pieces.\nThe Folk Music Institute is also a significant publisher: the album collection features archive collections as well as contemporary folk music, and the range of books consists of sheet music and scientific publication from the field of folk music and tradition.\nFinnish Folk Music Institute supports Finnish folk music and folk dance communities in safeguarding their intangible cultural heritage by: documenting living folk music and dance traditions; publishing recordings, books and notes on Finnish folk music, educating children in folk music and ICH; educating academic folk music students, advancing research of folk music and dance; participating in organizing the biggest folk music and dance festival in Finland; networking nationally and internationally with other folk music and heritage organizations; and promoting the interests of folk music and ICH in national cultural politic.

The Indonesian National Pewayangan / Puppetry Secretariat (SENA WANGI) is a social and cultural organization established on 12 August 1975, and it is currently located in Jakarta. The organization’s basic tasks involve coordinating activities for conserve and develop wayang and the art of puppet performances in Indonesia.\nSENA WANGI is the national secretariat of wayang and puppetry art organizations. Its members are various wayang artists and cultural experts as well as prominent members of society. SENA WANGI is an independent and self-supporting social organization endeavoring to develop wayang as a force in the field of national culture.\nIn its effort to conserve and develop wayang, SENA WANGI envisions making it one of the pillars of national culture. To achieve this end, the art of wayang should become a vehicle and mouthpiece of culture to uplift the quality and standards of humanity.

After the Angkor was inscribed on the World Cultural Heritage List, it was necessary to establish working mechanisms to promote national and international collaboration. The creation of Authority for the Protection and Management of Angkor and the Region of Siem Reap called APSARA or APSARA authority in 1995 also corresponds to the request of the World Heritage Committee, which temporarily inscribed Angkor on the List of World Heritage Sites in Danger in December 1992. Permanent inscription was at that point depended upon the Cambodian government taking concrete action in the field.\nSince 2008, according to the new structure of APSARA authority, a committee for Safeguarding Intangible Cultural Heritage will form with representatives from departments of APSARA—Department of Cultural Development Museums and Heritage Standards, Department of Land and Habitats Management, Department of Agricultural Extension and Community Development, Department of Angkor Tourism Development, and Department of Communication—for conducting APSARA projects or collaborative projects with national and international organizations. An ongoing APSARA project is to develop a policy for sustainable safeguarding intangible cultural heritage in the Angkor region and other regions under its jurisdiction.

The Shejun Agency was established with the aim of preserving and passing on the rich cultural heritage of Bhutan to future generations. Shejun means “knowledge transmission” in Classical Tibetan and Dzongkha. Active since 2004, Shejun presently focuses on the documentation and study of Bhutan’s written heritage and oral traditions. The organization is located in Bhutan's capital, Thimphu, and made up of a group of committed national and international scholars, field researchers, and support staff.

\nFormed in 1994, the Hue Traditional Royal Theatre of Arts functions under the authority of HuếnMonuments Conservation Centre. It works to preserve and promote genres of royal arts, such asnNhã nhạc Court Music, Royal dance and Tuồng court opera. More than 150 artists andninstrumentalists who received professional training are working for the theatre. In addition, thentheatreworks in collaboration with researchers, master artists, instrumentalists, and reputablenexperts in the field such as Professor Trần văn Khê, Professor Tô Ngọc Thanh, Professor Hoàng ChâunKý, Meritorious Artist Trần Kích, and master instrumentalist Lữ Hữu Thi. Many years since itsninception, the theatre has collected, restored, and performed about 40 pieces of ritual music, plentynroyal dances, and excerpts of Tuồng, contributing to the safeguarding of important values ofnVietnamese traditional performing arts. The Theatre has also participated in art festivals in thencountry and overseas, receiving appreciations from the audiences.

The Center for Intangible Culture Studies (CICS) was established to enhance researches and promote safeguarding actives of Intangible Cultural Heritage (ICH). CICS puts special efforts for finding measures for protecting and preserving ICH with academic concerns and in-depth understanding of its distinctive characteristics. CICS has been involved in many fruitful tasks such as research, inventorying and publishing. nCICS also established another special field; ICHPEDIA, a web-based ICH encyclopedia in collaboration with Cultural Heritage Administration of Korean Government. The purposes of establishing ICHPEDIA and archives are (1) to collect basic information to draw up National ICH inventory (2) to provide communities, specialists, and general users with easy access to our digitalized ICHPEDIA, (3) to encourage active participation of those who have interests in ICH, (4) to enhance cultural diversity.\nAs such CICS has so far endeavored to develop diverse programs from collecting primary sources of ICH and constructing the best web-based ICH inventory to developing the educational programs and application programs. CICS is standing in the forefront of the world’s ICH research institutions.

In the 1960s, Late Komal Kothari ,a renowed folklorist and ethnomusicologist and his very close friend, Vijaydan Detha an eminent Rajasthani writer realized that the problem of language covered the whole way of life of people and soon set out on a goal which became larger than collecting tales and songs. They further expanded their archival and research work in the field of folklore encompassing folk songs, folk tales, folk beliefs, proverbs, folk ballads, folk epics of long plays, folk gods and goddesses, social practices, rituals, fairs and festivals, rural food, nomads and pastoral ways of life. Until 1990’s they travelled more than 29000 villages to collect the large repository of cultural heritage both intangible (oral) in the form of audio video and tangible object’s of daily life made from natural resources. During 30years of intense study by them on folklore (in ethno-geographic regions) they finally looked into the traditional ways of knowledge transmission where the practice is to “learn but not to teach” in a structured way. In the year 1995 Komal Kothari got the recognition of his work by the Government of India and has been awarded Padma-Shree in 1983 and Padma Bhusan in 2004.