Stakeholders
folk culture
ICH Stakeholders 8
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CHINA NATIONAL SILK MUSEUM
The China National Silk Museum (CNSM) first opened in February 1992 and reopened in September 2016. Now it has become one of the first state-level museums in China, where audiences will find 9,000 square meters of displays in a typical southern Chinese garden of 42,286 square meters near West Lake, a UNESCO World Heritage Site.\nThe museum is divided into several galleries. The first is the Silk Road Gallery, in which the permanent exhibition The Way of Chinese Silk: Silk History and the Silk Road introduces Chinese silk historically and the Silk Road geometrically. Both the earliest preserved silk from the Qianshanyang site, Huzhou, (c.2200 BCE) and the earliest pattern loom model from Laoguanshan, Chengdu, (c.100 BCE) are on display. In the underground of the Silk Road Gallery, the Textile Training Center offers professional courses related to weaving, dyeing, embroidering, and braiding to satisfy the demand of the people who love traditional textile culture and those who wish to inherit traditional skills.\nOn 28 September 2009, Sericulture and Silk Craftsmanship of China was added to the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO. To help the audience better understand the intangible cultural heritage, the Sericulture and Weaving Galleries provides more information on how the silk is made. There are five sections of the exhibition, which are The Story of the Silkworm, Folk Customs in the Birthplace of Sericulture, Silk-making Techniques, Textile Printing, Dyeing and Embroidery and Weaving Techniques, displaying more than 270 objects covering the whole process from planting mulberry trees, raising silkworms, releasing silk from cocoons, dyeing, weaving, and embroidery. The techniques in the exhibition combine static displays with live demonstration.
China -
The “Roza Otunbayeva Initiative” International Public Foundation
The “Roza Otunbayeva Initiative” International Public Foundation is a non-profit, nongovernmental organization established in January 2012 with the aim of initiating and implementing programs and projects that can contribute to the social, political, and economic development of the country, as well as respect for the environment in the Kyrgyz Republic.\n\nThe founder of the Foundation Roza Otunbayeva, is a former President of the Kyrgyz Republic, member of the high-level group of advisers on mediation under the UN Secretary-General, member of the Club de Madrid, and member of the Governing Board of UNESCO Mahatma Gandhi Institute of Education for Peace and Sustainable Development (MGIEP).\n\nMain goals of the Foundation:\n•\tPromoting human development, expanding civic participation, strengthening civil society;\n•\tImplementation of educational, cultural, environmental, and charitable programs and projects;\n•\tSupporting initiatives for peacekeeping, expanding communication platforms on issues of international political, economic, and humanitarian cooperation.\n\nSince its establishment, the Foundation has initiated and implemented throughout the country, in cooperation with various partners, more than 30 projects. \n\nMuch attention is paid by the Foundation to supporting the level of accessibility of art, music, literature, and folk crafts, both for children and for the general public. Thus, the Foundation has published several books about ICH elements of Kyrgyzstan adopted for children e.g. Manas comic book based on the Manas epic, “To Visit My Friends!” which explores the diverse culture of ethnic groups in Kyrgyzstan, etc.\n\nOne of the well-known projects implemented by the Foundation is "Development Centers on Jailoo". Jailoo is a summer pasture. The purpose of the project is aimed at creatinig conditions for equal access for the vulnerable population – the children of cattle breeders to preschool education. The project also includes programs aimed to promote traditional knowledge and cultural and historical heritage of the Kyrgyz people, introducing children to culture through the study of traditional games, and the formation of knowledge and skills of young children on the bases of tolerant interaction with representatives of different ethnic groups and nationalities.\n
Kyrgyzstan -
Indian Institute of Social Sciences and Folklore Research
Indian Institute of Social Sciences and Folklore Research has been working in the area of Indian folk life with all socioculture aspects. The institute arranged many community empowerment and income generation activities through intangible cultural heritage, like an aboriginal community empowerment program. The Indian Institute of Social Sciences and Folklore Research is a leading NGO of India for collection, conservation, safeguarding, and research of tangible and intangible folklore. The institute has created its own museum by collecting large number of artefacts related to the intangible culture of India and continuously organizes exhibitions to give new entrepreneurial lessons to the youth.
India -
FOLK HERITAGE MUSEUM OF BHUTAN (PHELCHEY TOENKHYIM)
The Phelchey Toenkhyim (Folk Heritage Museum of Bhutan) founded and established under the patronage of Her Majesty the Queen Mother Ashi Dorji Wangmo Wangchuck, was opened to visitors in July 2001, symbolizing yet another endeavor to safeguard and strengthen the intangible cultural heritage and skills of this society. It has dedicated itself to connecting people to the Bhutanese rural past. nPhelchey Toenkhyim attempts to preserve traditional artifacts, skills, and culture of Bhutan in efforts to make the daily lives of the Bhutanese people more widely known. These efforts were also made to reinforce the knowledge of their traditional lifestyle and culture before they disappear from everyday life and lose their practical value.\nThe museum also acts as a hub for village artisans to demonstrate their skills in craftsmanship as well as being used as an outlet for their products. Such programs provide opportunities for artisans to use their skills and instill enthusiasm in the minds of younger generations to learn contemporary trades. The museum has a particular appeal for younger generations in that it provides insight into the past while simultaneously demonstrating its relevance to the present for the future.
Bhutan