ALL
statue
ICH Elements 5
-
Sculpture and papier-mache crafts
Statuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.
Mongolia -
HAYKAL- TAROSHI
Sculpting. A kind of applied arts of creating sculptors, statues, and different figures from metall, plaster, wood, stones and etc.
Tajikistan -
Mokjogakjang (Wood Sculpture)
National Intangible Cultural Heritage, Republic of Korea Mokjogakjang refers to the skill of wood sculpture or to an artisan with such a skill. Among the woods commonly used for this skill is paulownia, pine, fir, gingko, zelkova and pagoda wood. It is presumed that wood sculpture started on the Korean Peninsula, mostly on temples and Buddha images, with the introduction of Buddhism during the Three Kingdoms Period (circa 57 BC – 668 AD). Many of these wood sculpture works were destroyed during the frequent foreign invasions suffered by Korea. As for the process of wood sculpture production, first a sketch is made on well-dried wood and the remaining parts are cut off. When a rough form is made, the inside is gouged out to prevent cracks or to make a space for inserting ancillary objects according to the custom. Lacquer is applied to the completed object.
South Korea -
Bulbokjang Jakbeop (Ritual Process of Placing Objects Inside Buddhist Statues)
National Intangible Cultural Heritage, Republic of Korea This refers to the ritual enshrining of objects within a Buddhist statue or painting. Through this process, an inert image is animated and reborn as an object of worship. This ritual has been practiced in Korea for more than 700 years, since at least the Goryeo Dynasty. Instructions on the performance of the ritual were compiled into a book during the Joseon Dynasty with the title Josanggyeong. The practice continued through the Japanese colonial era and has been transmitted to the present. Compared to China and Japan, Korea is unique in establishing the process of interring objects in Buddhist images as a ritual. There are diverse ritualistic factors encompassed within this ritual, each of which is equipped with its own religious meaning. All these attributes were considered positively during the designation process of this element. * Jakbeop (作法): This term is commonly understood as referring to Buddhist dances like those performed in such ceremonies as Surykjae ("Water and Land Ceremony") and Yeongsanjae ("Celebration of Buddha's Sermon on Vulture Peak Mountain"). Here, however, the term denotes that the interment of objects in a Buddhist image is practiced as a ritual.
South Korea
ICH Materials 9
-
Sculpture and papier-mache crafts
Statuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.
Mongolia -
Sculpture and papier-mache crafts
Statuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.
Mongolia