ALL
sun
ICH Elements 4
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Vuniivilevu; The sunken Island of Fiji
A few islands in Fiji and the Pacific are said to have submerged in the last hundred to thousand years ago. The island of Vuniivilevu is believed to have submerged in the year AD1200 in the Motoriki waters, Lomaiviti (2005). It is one of the islands that is regarded to have been inhabited first before other settlers arrived. Early migrants were said to be tall, muscular and tough and this could be proven with the skeleton that was found in Naturuku, Motoriki in 2002. What was also remarkable about this skeleton was the excellent state of preservation of the skull. It was of a female who would’ve been tall, muscular and tough and was believed to have lived in Motoriki around 800BC (2007). The abrupt collapse of Vuniivilevu would’ve generated waves to nearby islands and one such example is the waves rushing up the valley from Bureta which saw the presence of sea-fish in pristine freshwater rivers. Their ancestor god Rakavono then speared a turtle, a shark, and a ray, all of which immediately turned to stone and can still be seen there, at a deep place in the river called Muloi, near Nasaumatua village, Lovoni, close to the center of Ovalau. When passing through the Davetalevu passage, travelers are forbidden to make noise, and to throw rubbish into the ocean in respect of the sunken island. Certain people who have disturbed the peace at the Davetalevu passage had their boat capsized and are now buried at Uluibau village in Motoriki. A considerably large number of people in Fiji came from Vuniivilevu and dispersed when the island submerged. This includes the villages of Uluibau, Nasauvuki in Motoriki (Rokowaqa, n.d. 1926; Rakadragi, 1979; Draunidalo, 1990; Vulava, 1996); Tuatua village in Koro, the chiefs of Vuna in Taveuni (Rakadragi, 1979); Navure clan in Sawaieke and a group of people in Vadravadra, Gau (Vulava 1996); and also the village of Naimalavau (Vulava 1996). Some reached as far as Kadavu.
Fiji -
TAQVIMI OFTOB DAR MARD,
In the Tajik folk culture there are some local calendars which playing their functions came from the past till to present days alongside with official calendars. One of the popular Tajik folk calendars is Oftob dar mard (“Sun in man”), which is popular among people of Badakhshan.
Tajikistan -
Traditional astronomical knowledge
Based on the recurrence of the sun, moon and planetary motions, Mongolians drew up a table of measuring the time and periods by sixty cycles, periods, years, months, days and nights, hours, and moments while reckoning the number 12 as the basics. Accordingly, the table of the sixty cycles used for their everyday lives. There are many facts that Mongolians have studied the astronomy from the scientific principles since ancient times. For instance, there is a wide spread picture with names of 1400 stars and their locations and descriptions called “Tümen odnii lit (almanac of ten thousand stars)” is being kept at the State central library.
Mongolia -
Traditional knowledge concerning pilgrimages to the sacred sites
Kyrgyz people worshipped natural objects from antiquity, deeming that it is in the nature the visible and invisible worlds may coexist harmoniously. One of such practices is the Obo ceremony. It is a worshipping practice that was spread in a pre-Islamic period, when people equally worshipped the Sun and the Earth. It was understood that the Sun represents the fatherly beginning, and the Earth represents the motherly one. Sacred sites are visited by people, who need to be treated from illnesses, both physical, and spiritual; or those who want to make a prayer in memory of the dead relatives. Other widely spread practices are zikir chaluu and shamanic ritual korum zikir. In addition, other varieties of spiritual practices include talma bii and oiun. Roles of bakhshi (in Turkic tradition) and dubana (Muslim dervishes) are merged in many ways in Kyrgyz practice. Zikir chaluu represents emotional prayer, which is made because of pragmatic reasons, and as a rule, people ask for prosperity, welfare, healing, fertility or peace. Fire purification ceremony sham is performed often along with zikir chaluu during festive rituals as the Kyrgyz believe that the spiritual and visible worlds are unified in the fire.
Kyrgyzstan
ICH Materials 3
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Smong: A Traditional Simeuleu Island Mitigation to Face TsunamiThe devastating 9.1-magnitude earthquake that occurred December 26, 2004 in the Indian Ocean triggered a tsunami that rose up to 30 meters, devastating many areas in Asia and Africa (www.bmkg.go.id). It was the third-biggest earthquake ever registered on a seismograph and at eight-to-ten minutes had the longest duration in history. More than 280,000 people died in 14 different countries.\n\nAceh Province in Indonesia, where the epicenter was located, was worst affected by this disaster. There was no early warning system and the disaster risk management was poor. People in Aceh Province had no adequate knowledge of tsunamis until then. Thousands of buildings in Aceh were demolished and more than 170,000 people were affected, while the actual epicenter location, Simeuleu Island, had only 7 victims out of a total of 78,000 people (www.bmkg.go.id).\n\nIt is said that Smong (meaning chaos during natural disaster in the Devayan language), communicated through poem and song, protected the people of Simeulue Island. Smong is an early warning system, featuring disaster mitigation ideas that were generally told as a lullaby for children and sung at wedding parties (10.1016/j.proenv.2014.03.070). It consists of five verses, as follows:\n\nEnggelan mon sao curito (Please listen to this story)\nInang maso semonan (One day in the past)\nManoknop sao fano (A village was sinking)\nUwi lah da sesewan (That’s what has been told)\n\nUnen ne alek linon (Starting with earthquakes)\nFesang bakat ne mali (Followed by a giant wave)\nManoknop sao hampong (The whole country was sinking)\nTibo-tibo maawi (Immediately)\n\nAnga linon ne mali (If the strong earthquake)\nUwek suruik sahuli (Followed by the lowering of seawater)\nMaheya mihawali (Please find in a hurry)\nFano me senga tenggi (A higher place)\n\nEde Smong kahanne (This is called Smong)\nTuriang da nenekta (A story of our ancestors)\nMiredem teher ere (Please always remember)\nPesan navi-navi da (The message and instruction)\n\nSmong dumek-dumekmo (Smong is your bath)\nLinon uwak-uwakmo (Earthquake is your swing bed)\nElaik keudang-kedangmo (Thunderstorm is your music)\nKilek suluih-suluihmo (Thunderlight is your lamp)\n\nThe lyrics have two meanings — denotation and connotation. The first to fourth stanzas are denotation while the rest is connotation. This story was reiterated in each generation as it held a significant meaning to share the knowledge to all Simeulueans in order to protect themselves from the tsunami. The second stanza explains the natural signs and earthquake before the village disappears. It suggests people find higher ground to protect themselves from the disaster that would drown the land. The third stanza explains that it was called Smong and that the story should be evoked and passed on to the succeeding generations.\n\nThe last stanza describes the Smong as a natural entity that should be taken in a positive way. It suggests accepting it and keeping yourselves safe with it. The response towards it must be taken prudently.\n\nIn this way, the Simeuluean people communicated about natural disasters through folklore before the terminology of the tsunami was discovered. It not only saved the lives of many people but also helped people to take decisions rationally during times of disaster. \n\nPhoto : The devastating 9.1-magnitude earthquake that occurred December 26, 2004 in the Indian Ocean ⓒ shutterstockYear2019NationIndonesia
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Lialiaci Volume 3, 2022Lialiaci is a publication of the iTaukei Institute of Language and Culture, Ministry of iTaukei Affairs. Lialiaci means to ponder or reflect upon deeply. That is the intent of these articles and perspectives on culture. \n\nThe publication have 3 research articles;\n\n1. Bulu, The Spirit World by Mr. Anasa Tawake - \nThis brief research will try to explain Bulu or the iTaukei concept of the spirit world.\nIt is important to define Bulu or the spirit world because it can be a foundation to which our beliefs are derived from. It is understood that our culture is ‘fixated on Bulu’ (Sekove Bigitibau). If this is so, then our culture, customs and ethos are focused towards the spirit world known as Bulu.\n\n2. The Sunken island by Mr. Inoki Kaloumaira -\nA few islands in Fiji and the Pacific are said to have submerged in the last hundred to thousand years ago. The island of Vuniivilevu is believed to have submerged in the year AD1200 in the Motoriki waters, Lomaiviti (2005). It is one of the islands that is regarded to have been inhabited first before other settlers arrived. Early migrants were said to be tall, muscular and tough and this could be proven with the skeleton that was found in Naturuku, Motoriki in 2002. What was also remarkable about this skeleton was the excellent state of preservation of the skull. It was of a female who would’ve been tall, muscular and tough and was believed to have lived in Motoriki around 800BC (2007). \n\n3. Ancient Sounds in Fiji by Mr. Ulaiasi Taoi-\nAncient sounds in Fiji is still echoed in traditional chant, traditional dances, polyphony, and sacred psalms. It is found to be unique from western sounds and sounds in many parts of the world. Most current Fijian music has adopted western sounds, this includes church hymns, folk songs, serenades, and also Tongan sounds which is practiced in serevakalau known as Polotu and also pesi (Lauan folksongs). Aporosa a traditional cartographer form Beqa stated that there was no Fijian alphabet, but instead was the practice of oral transmission through traditional dances. Lyrics, cartographer and sound were transmitted through vision (Bulivou, 1985). Once ancient sounds were not composed, it was inherently transmitted through the vanua as a gift, and intrinsically maintained its mana in the vanua livelihood. \n\n\n\nYear2022NationFiji
Open Archive 6
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Korean traditional wooden lacquerware
It is Korean traditional lacquerware. it Black lacquer and red lacquer were used. And the surface was decorated with mother-of-pearl. One box is decorated with mother-of-pearl flowers on its surface. The other one was yellow lacquer and blue lacquer. It's the process of working on it yourself.
South Korea -
Songsun-Ju(Pine sprouts Liquor)
Songsun-ju is a traditional liquor distilled from pine sprouts. In korea, Liquor was a very sacred drink for the ancestral rites, usually made of seasonal foods. As a material that can be collected mainly from mid-May to the end of June, usually brewed in early Spring to early Summer. It was recognized that the medicinal effect of Songsun was outstanding in early spring when the energy of nature spreads most vigorously. It is known for its effects for the digestion and absorption rate. It takes two fermentation processes to make complete Songsun-ju. It tastes sweet and sour.
South Korea -
Wadangmet: The Dancing festival of Chhilings
Wadangmet, also known as Papani, is one of the greatest festivals of the Chhiling Rai people from the eastern hills of Nepal. Just after the Nepali Tihar festival (Sep/Oct) is celebrated, every Rai household in the community takes out the Dhol and Jhymta, musical instruments which are kept hidden in the house for a whole year. Pulling out these instruments signals the beginning of the festival which lasts for 1-2 weeks. My 80-year-old grandmother loved telling this and many other stories about the Rai culture. It is believed that divine Rai deities, Ambirahang and Rexihang, children of Budahang come to the village and shower their blessings on the people. Budahang is the king of the gods. According to the Chhiling legend, Budahang’s children ran away and secretly got married, a serious violation of Rai social and traditional norms. For breaking the taboo, they were banished from the village. The villagers, however, decided that couple could visit the village for one week every year. Wadangmet is celebrated to welcome the return of the banished couple with singing and dancing. During their stay, the community does not perform any other rituals or worship other souls and spirits. The celebrations begin on the full moon in November. As an offering, the locals take one half kilogram of rice (mana dhurne) to the local priest’s house. This offering, on the first day of the festival, is made to the unholy couple to encourage their blessings of eternal life for family members. On the second day the people gather at the priest’s house and, during puja, offer a pig and two chickens to the siblings. The same day, they clean and worship in the village courtyards. On the third day, the villagers gather at the Mukhiya’s (the head of the village) house with Dhol and Jhyampta to perform traditional dancing. They cut another pig and share the feast. On the fourth day, every household offers a pig to Ashik Hang (the king of blessing) for a long and healthy life. At this time the household’s future for the coming year is forecasted by performing the “Tharkibahal or Mangla” ritual; a chicken is offered to gods. If a chicken bleeds it is believed that family members will have a peaceful and healthy life for the coming year. If the chicken doesn’t bleed the family will have one year of uncertainty. The celebration continues for a fifth day in another village. On the sixth day the raucous celebration continues at the Mukhiya’s house in another village. Traditionally, the day also used to be an occasion for joking and courting among boys and girls. They would meet, fall in love and many would practice bhagibibaha; they would elope and be considered married. Wadangmet is the happiest time of the year. It’s a festival to celebrate life, community, friendship, love, music and dance. The final day of the festival is MangPankha; seeing off the deities. This is a week-long celebration at the Priest’s house that includes more rice and chicken puja, singing, dancing and playing the hidden musical instruments. People dance for whole night (and drink) and when the sun rises, they once again bid farewell to forbidden couple. Achita, rice used for the pujas, is considered to cure diseases. They save it for medicinal use throughout the coming year. No one knows how or when this festival began. My grandmother was filled with myths and fascinating stories about ancestors and how they lived. Regrettably, many of these stories are being forgotten but, Wadangmet is alive and well. Long live the Chhilings Rai people!
Nepal -
Myanmar Thanakha
Myanmar women adore Thanakha for its sweet fragrance. The botanical name of Thanakha is Hesperethusa Crenulata (ROXB.) ROEM. Thanakha plant or branch is cut into small sizes about 6 or 4 inches. If we grind Thanakha bark with a little water on a circular stone slab called "Kyauk Pyin", we will get a milky yellow liquid or Thanakha paste. Myanmar women usually apply Thanakha paste on their faces and hands and some prefer wearing the whole body.The practice of Thanakha culture has existed in Myanmar society since yore. Thanakha is still preserved as Myanma cultural tradition till today. Thanakha and "Kyauk Pyin" are inseparable. "Kyauk Pyin" is the circular shape of sand stone slab and its surface is elevated in the middle and there is a channel around the rim for the paste to drain into. Kyauk Pyin and Thanakha are essential for the practice of Thanakha culutre in Myanmar society. People use Thanakha for beauty but also for medicinal purpose. Sweet fragrant Thanakha paste is used for cleansing the face of Buddha Image. As Myanmar saying goes:"Mee Phone Hlu Pwe, Tabodwe", the scented bonfire festival is also held by burning Thanakha woods to offer warmth to the Lord Buddha in Myanmar month Tabodwe which falls in February. Because of extreme cold weather in Tabodwe, the scented bonfire or "Mee Phone Pwe" is held in the pagoda precinct with great devotion. In some areas, Thanakha-based cultural festival, "Thanakha Par Toe Pwe" is also held with great traditions. Ethnic women from the hills and the plains across Myanmar cherish and value Thanakha. Both men and women alike have been using Thanakha paste because of its cool sensation and positive effects. In addition that some put extra patch on their cheeks to protect from burning heat of the sun. The farmers and farm girls could get sweaty for working long hours in the field but they always feel fresh because of soothing effect of Thanakha fragrance. That is why Thanakha is the favourite of farmers and workers."Kyauk Pyin" and Thanakha wood can be found in every Myanmar household. Parents wear Thanakha to their offsprings. Likewise, uncles, aunts, elder brothers and sisters used to wear Thanakha to their young nieces, nephews as well as younger brothers and sisters. The farm girls and construction workers used to wear Thanakha paste very thickly for beauty but also for preventing the sunburn.The Thanakha growers and producers are also vital role in this element. Since ancient times, Thanakha culture has been preserving and practicing in Myanmar society. In Mynmar families, the tradition of wearing Thanakha is handed down from generation to generation. The parents, elder brothers and sisters, uncles and aunts never fail to put on Thanakha to young daughters and sons, nieces and nephews. While smearing Thanakha paste on the face, the mother also feeds fragrant residue to her baby. Thanakha plays a crucial role in the daily life of Myanmar people. In Myanmar family, the mother showers her infant baby and introduces Thanakha while praying the Lord to protect her baby from harms and dangers. The mother smears the wet paste of Thanakha on the kid’s forehead and later on both cheeks. The mother also feeds Thanakha paste to her baby which can protect chicken pox and measles. Because of the cool and pleasant Thanakha fragrance and the mother’s endless love, the baby feels great warmth and comfort. While applying Thanakha, the elders teach young children about the importance of good manners, ethics and moral values. Psychologically, Thanakha has positive effects for good concentration enhancing the power of wisdom and memory. Among seasonal festivals, the scented bonfire festival is held where fragrant Thanakha and sandal woods are burnt to provide warmth to the Lord Buddha with great devotion. Such kind of Thanakha-based festival has been holding on the Full Moon Day of Myanmar month Tapodwe which falls in February. Moreover, Thanakha is also used for the washing rituals performed at Mandalay Mahamuni Buddha Temple and such offering of Thanakha paste is renowned as the cultural values of Myanmar society. For fun and friendship, young people do whisking Thanakha paste on the cheeks of young visitors with great traditions in Yaw area.Thanakha is also used for Myanmar traditional medicine. Thanakha is common across Myanmar including the hills and the plains so also the rural and urban areas.Thanakha had long been used as atrditional cosmetic by Myanmar people and recently found ways to foreign market. Thanakha is the part and parcel of Myanmar culture. The paste of Thanakha is beloved to a diverse array of ethnicities and religion. Thanakha is worn by people of all ages, men and women alike, whether rich or poor. The practice of Myanmar Thanakha culture is for skin care, for beauty, to protect the sunburn so also as the traditional medicine. Thanakha is used at traditional festivals, social rituals and religious ceremonies. Although Thanakha wearing is common among people of all ages, women use for beauty and men use for skin care.
Myanmar