Materials
statue
ICH Materials 90
Photos
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Sculpture and papier-mache crafts
Statuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.
Mongolia -
Sculpture and papier-mache crafts
Statuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.
Mongolia -
HAYKALTAROSHI
Sculpting. A kind of applied arts of creating sculptors, statues, and different figures from metall, plaster, wood, stones and etc.
Tajikistan -
HAYKALTAROSHI
Sculpting. A kind of applied arts of creating sculptors, statues, and different figures from metall, plaster, wood, stones and etc.
Tajikistan -
Thánh Gióng’s Statue at Phù Đổng Temple, Phù Đổng Commune, Gia Lâm
GIÓNG FESTIVAL OF PHÙ ĐỔNG AND SÓC TEMPLES\n\n\nIn the historical books and folk beliefs of the Việt, there have been many stories and legends of Thánh Gióng - the Saint of the ancient Việt who was considered as one of the four immortal gods by the Vietnamese nationwide. The monarchic dynasties of the Great Việt in Vietnam bequeathed him as a Heavenly King. Legend has it that he was born as the result of a magical union between a girl from Gióng village and the giant footprint of the rain god in the Việt’s myths. At the age of three, he grew miraculously into a giant after hearing the King’s appeal to find gifted people to save the country and its people. After defeating the foreign invaders, the hero went to Sóc mountain and flew into the heaven.\n
Viet Nam -
Statue washing ceremony at Tam Giang autumn festival in Trâm Khê village
Quan họ Bắc Ninh folk songs\nQuan họ Bắc Ninh folk songs that have been created and supplemented for generations, are alternating response songs between male and female singers who have resided on the two banks of the Cầu River in ancient Kinh Bắc region.\nOn September 30th, 2009, Quan họ Bắc Ninh folk songs were inscribedon the Representative List of the Intangible Cultural Heritage of Humanity by the Intergovernmental Committee for 2013 UNESCO Convention on Safeguarding of intangible cultural heritage, taken place in Abu Dhabi, the capital of the United Arab Emirates.\n
Viet Nam -
Statues of Mother Goddesses in Trần Thương Temple
Trần Thương Temple Festival\nin Nhân Đạo Commune, Lý Nhân District, Hà Nam Province\nTrần Thương temple - one of the three largest and holiest temples in the Red River delta is dedicated to worship Trần Quốc Tuấn or Trần Hưng Đạo, a supreme commander of Viet Nam during the Trần dynasty and his army to defeat the Mongolian – Yuan invaders in the 13th century.\n
Viet Nam -
Worshiping the statue of the Cheo profession's founder in Van Thi Temple
Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nLady Phạm Thị Trân originally came from Hải Dương province. She was a singer, talented in singing, and was eventually invited to the royal court of the Đinh Dynasty to teach dancing to soldiers. She was also credited as a mandarin in the royal court.
Viet Nam -
Statue of the Cheo profession's founder (Thanh Binh Ward, Ninh Binh City, Ninh Binh Province)
Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nLady Phạm Thị Trân originally came from Hải Dương province. She was a singer, talented in singing, and was eventually invited to the royal court of the Đinh Dynasty to teach dancing to soldiers. She was also credited as a mandarin in the royal court.
Viet Nam -
Marlakon Tajo (fiddle)
The body of fiddle(the voice bowl)has to make a hollow as the shape of bowl systematically. Some used to make the brass bowl. Brass bowl can produce more pleasant sound than wood bowl. Its face is tightly stretched with deer-skin or goat skin. The arm of the fiddle is made with wood (teak, iron wood, cutch wood). The rope has to be yarned the type of three-ply rope which is put on the fiddle. Nowadays , the strings of guitar are used to pot on instead of sick-yarns. There is two pegs at the top of the arm of the fiddle so that the string can be made tuning. The statue of parrot is put on the top of fiddle. It can be played by placing on the forks on the ground whereas by placing on the shoulder. It has to play with a bow of fiddle. The bow of fiddle has a string which has to be made with silk-yarn, horse tail whisk or metal-string.\n-5 inches in the diameter of the body of fiddle\n-5 inches in the height of the body of fiddle\n-2 feet in the length of the arm of fiddle\n-5 inches in the girth of the arm of the fiddle\n-2 feet 6 inches in the length of the string
Myanmar -
Poong Nazareno: The Feast and Traslacion Of The Black Nazarene of Quiapo, Manila
The traslacion ritual and procession of the image of the Black Nazarene of Quiapo, Manila, is attended by many devotees and pilgrim from different parts of the country, who try to get close to and touch the statue.
Philippines -
GACHKORI
Carving on plaster. This craft are used in the decoration of houses, walls, columns and in the statue making. Masters first apply the plaster then carve them doing ornaments
Tajikistan