Materials
dancing art
ICH Materials 76
Photos
(63)-
Main Puteri
Main Puteri, also referred to as Main Teghi in the Kelantanese dialect, is one of the authentic arts found in the state of Kelantan. This performance is one of the most popular traditional healing methods of the Kelantan-Pattani Malay community since the olden days. It is admittedly difficult to separate the ‘performing art’ and ‘medical ritual’ aspects in Main Teghi due to the close ties between the two elements. There are many versions about the origin of Main Teghi as source of information. However, since there are no accurate records thus oral sources are the only ones available. In terms of performance, there are interesting elements in Main Teghi that are a combined elements of acting, singing, dancing, miming and music; apart from Islamic, magical and ritual elements. Tok Teghi, the leader of the group, acts as a medium to connect the patient with the summoned spirits. During this process Tok Teghi keeps changing characters; becoming fierce and ferocious, a senile elder, a disabled youth, speaking nasally and various other characters to portray the pain shouldered by the patient. It is believed that there are more than 50 songs in a Main Teghi performance, but now not even 10 are still being performed. Among those commonly performed are entitled Kijang Mas, Mengulit, Pendekar, Cik Muda, Cik Kojo, Menora and Abe. Main Puteri was recognised as a National Heritage in 2012.
Malaysia -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Keris)
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nThe keris is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron. Keris is used in Mak Yong performances as a symbol of the king's authority over his kingdom.
Malaysia -
Malaysia, Mak Yong Theatre(Gelang Tangan (Wristband))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nWristbands made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Rotan Berai (Bamboo Rattan))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nBamboo rattan held by Pak Yong(Main character of Mak Yong) is a symbol of power and control upon the people.
Malaysia -
Malaysia, Mak Yong Theatre(Keris)
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nThe keris is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron. Keris is used in Mak Yong performances as a symbol of the king's authority over his kingdom.
Malaysia -
Malaysia, Mak Yong Theatre(Bengkung and Pending)
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nBengkung or belt, is a wide strip of cloth used to wrap the stomach, usually worn with Mak Yong clothing as part of the accessories. Pending is Malay silver/ gold Belt Buckle with hand carvings worn together with the bengkung.
Malaysia -
Malaysia, Mak Yong Theatre(Rotan Berai (Bamboo Rattan))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nBamboo rattan held by Pak Yong(Main character of Mak Yong) is a symbol of power and control upon the people.
Malaysia -
Malaysia, Mak Yong Theatre(Bengkung and Pending)
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nBengkung or belt, is a wide strip of cloth used to wrap the stomach, usually worn with Mak Yong clothing as part of the accessories. Pending is Malay silver/ gold Belt Buckle with hand carvings worn together with the bengkung.
Malaysia -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Rotan Berai (Bamboo Rattan))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nBamboo rattan held by Pak Yong(Main character of Mak Yong) is a symbol of power and control upon the people.
Malaysia