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naju
ICH Elements 3
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Yeomsaekjang (Natural Dyeing)
National Intangible Cultural Heritage, Republic of Korea Yeomsaekjang refers to a craftsman who dyes cloth with natural pigments. Specifically, the art of dyeing, which has been designated as Important Intangible Cultural Heritage, involves dyeing with indigo. In the Joseon Dynasty, dyeing was a highly specialized skill such that a dyeing specialist was attached to the royal court. Natural dyes used for coloring cloth are plant, mineral, or animal matter, used as is or slightly processed. There are all kinds of dyes, but the indigo bush (Persicaria tinctoria) was the most difficult to use; the complicated dyeing process also required a high level of skill. With modernization as well as the introduction of chemical dyes, traditional dyeing has all but vanished. Thanks to a handful of dedicated craftsmen who have worked to revive the art since the 1970s, however, the art has been kept alive.
South Korea -
Sobanjang (Tray-table Making)
National Intangible Cultural Heritage, Republic of Korea Soban refers to a tray-table used for an individual or for a sacrificial rite for ancestors. Sobanjang means the skill of making a tray-table, or an artisan with such a skill. Murals in tombs of Goguryeo display many types of soban. According to records such as Samguk sagi (History of the Three Kingdoms) or Gyeongguk daejeon (National Code), there were state agencies responsible for production of dining tables. Soban production developed due to the preference for individual dining tables over those for two or more people under the influence of Confucianism, and due to the needs associated with large and small events, including wedding and sacrificial rites. There are 60-plus types of soban, depending on the place of origin, shape, and usage. Soban were chiefly made in Haeju (featuring engraved carvings), Naju (featuring wood strips with mid-level of legs), Tongyeong (featuring cloud-shaped legs), and Gangwon-do. The shapes of the soban legs differ from region to region; those made in Gyeongsang-do have bamboo-shaped legs, the ones made in Jeolla-do tiger foot-shaped legs, and the ones made in Gangwon-do and Gyeonggi-do dog foot-shaped legs.
South Korea -
Naju Saetgollai (Cotton Weaving of Naju)
National Intangible Cultural Heritage, Republic of Korea Naju Saetgollai refers to the work of cotton weaving or women cotton weavers in Saetgol, Naju, Jeollanam-do. Cotton was first introduced to the country by Mun Ik-jeom toward the end of the Goryeo Period (877-1394) from the Yuan Dynasty, China. Spreading throughout the country, cotton, together with rice, came to be used as a means of exchange from the early Joseon Period (1392-1910). The Japanese imported cotton from Korea. Cotton is produced through the following process: ginning, flattening cotton, spinning, deciding the density of warp threads, starching, and weaving. Cotton is harvested mid-August, with the first harvested batch usually the best in terms of quality. Cotton cloth produced in Gaeseong and Jinju used to be regarded as the best in the country; now, however, that produced in Naju has replaced it as the best one in the country.
South Korea
ICH Materials 12
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2016 Research Reports of CPI Participants
As part of the Cultural Partnership Initiative of 2016, ICHCAP invited ICH professionals from Malaysia, Mongolia, Sri Lanka and Tonga. Each participant researched ICH topics of interest that relate to comparative studies, sustainable development, traditional medicine, and safeguarding organizations. These reports were compiled into a bound publication and is now made available as an online download.
South Korea 2016 -
The 3rd APHEN-ICH International Seminar – Diversity and Distinctiveness: Looking into Shared ICH in the Asia-Pacific
This seminar material contains presentation manuscripts that were announced at the 3rd APHEN-ICH International Seminar held on 18-19 Feburary 2021. ICHCAP hosted this event in cooperation with the UNESCO Bangkok Office and Korea National University of Cultural Heritage (KNUCH).\n\nThis seminar was held under the theme of Diversity and Distinctiveness: Looking into the Shared ICH in the Asia-Pacific, to re-assess that while fragile, intangible cultural heritage is an important factor in maintaining cultural diversity, connecting bounds, and enhancing international dialogue and peace.
South Korea 2021
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History and Transmission of Korean Lacquer CraftsHuman has made great progress beyond the speed of biological evolution by using tools. First, human used stones and wood as tools for hunting and gathering, and then invented earth-baked earthenware such as bowls for food, appropriate to farming life. The defects of woodenware and earthenware, however, were obvious. It was not able to contain liquid due to their moisture absorbency, and easily damaged. Earthenware has evolved into glazed ceramic but it required a high-tech kiln with high temperature, accompanied by a technology for metal refining as a key prerequisite. In East Asia, moisture proof and insect proof techniques to coat objects were invented much earlier. That is lacquer technique.\nProduction process of lacquer is delicate and complicated such as handling lacquer sap at the risk of skin disease, creating hot and humid environment for hardening process, etc. Nevertheless, in East Asia, people have used lacquer technique in many regions from the Neolithic Age, knowing its merits earlier on. Lacquer was used for adhesive and surface protection of leather, earthenware, ceramics and metalware. In particular, it has been inextricably linked to wooden objects. Whereas in West Asia and Europe various varnishes mixed with dry oil and resin has been used, in East Asia lacquer was used as a basic varnish in common. That shows that lacquer is great material and technique to represent the commonality of Asian culture.1) This article aims to briefly look into the origin of lacquer technique in Northeast Asia and share the information on it and its current status of transmission.Year2021NationSouth Korea
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Safeguarding Measures of Traditional Music and Dancing in KoreaThe Republic of Korea has undertaken systematic efforts to safeguard intangible cultural heritage since enactment of the Cultural Heritage Protection Act in 1962 and implementation of the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in 2005. Korea has a long history of institutions for cultural heritage safeguarding. Korean ICH assets are basically protected under three government organizations known as Cultural Heritage Administration (CHA), Intangible Cultural Heritage Division of the Ministry of Culture, Sports and Tourism, and National Intangible Heritage Centre (NIHC) of Korea.A variety of national institutions have taken charge of transmission, promotion, education documenting and archiving ICH elements in consideration of their domains and characteristics. Those organizations are working collaboratively with each and many other ICH stake holders such as government and non-governmental organizations, education institutions, ICH holders and community people as well as foreign countries and international organizations in the safeguarding process of traditional music and dancing.Year2016NationSri Lanka