National Intangible Cultural Heritage, Republic of Korea Myeongju (silk), which is woven from thread made from cocoons, is plain fabric without woven patterns. There are a wide range of silk fabrics, depending on the types of threads, weaving methods, and patterns used. Records about the country’s sericulture appear as early as the Gojoseon Period (2333 BC? – 108 BC). Fabrics made with exquisite skills in Silla (57 BC – AD 935) were traded with goods made in Tang Dynasty China. During the Goryeo Period (877 – 1394), good-quality silk fabrics were produced. In the Joseon Period (1392 –1910), so many types of fabrics were made that names were attached to them according to their colors and quality. Silks were produced in large quantities and they latercame to be used as materials for making ordinary cloth. In olden days, silk was woven by housewives on a loom to meet their household needs. Toward the late Joseon Period, looms were replaced by modern weaving machines.

Sericulture, the traditional art of silk production, holds a significant place in Uzbekistan’s cultural and economic heritage. This tradition encompasses the cultivation of mulberry trees, rearing of silkworms, harvesting cocoons, and spinning silk threads, which are then woven into exquisite textiles. Uzbek sericulture is deeply intertwined with community life and seasonal cycles. Knowledge and skills have been transmitted through generations, often within families and artisan guilds, preserving ancient techniques alongside innovations. The process is accompanied by rituals and ceremonies that express respect for nature and the silk-producing creatures. Silk products from Uzbekistan are celebrated not only for their beauty but also as symbols of craftsmanship, social status, and cultural identity. Sericulture traditions continue to thrive in regions historically known for silk production, contributing to local economies and cultural tourism.

Uzbekistan 2022