ALL
uzbekistan
ICH Elements 8
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Traditions related to bread
Uzbek bread, or non, holds a central place in the daily life, rituals, and celebrations of Uzbek society. The traditions surrounding bread-making, serving, and consumption are deeply symbolic, embodying values of hospitality, respect, and community unity. The preparation of traditional breads such as tandir non, patir, and katlama involves specific artisanal skills passed down through generations. These breads are baked in a tandir oven using time-honored techniques, often accompanied by rituals that bless the dough and honor the process. Bread plays an essential role in social ceremonies such as weddings, funerals, and festivals, where it serves as a symbol of life, prosperity, and hospitality. Special customs govern how bread is presented and shared, reflecting its sacred status within Uzbek culture.
Uzbekistan -
Naqqashlik (ornament-making) art
Naqqashlik, or the traditional art of ornament-making, is a highly refined form of decorative craftsmanship in Uzbekistan, rooted in centuries of Islamic and Central Asian artistic traditions. This craft involves the creation of intricate patterns and motifs that adorn architecture, furniture, wooden columns, doors, ceilings, and ceremonial objects. Naqqashlik is not only a visual art but also a spiritual and philosophical expression. It features floral, geometric, and calligraphic motifs, all governed by strict aesthetic principles and symbolic meanings. The craft plays an essential role in architectural preservation, cultural identity, and national aesthetics. Master artisans, known as naqqosh, follow meticulous processes including drawing, carving, painting, and gold leafing. Designs are traditionally developed using natural pigments and hand tools, with every pattern reflecting a balance between beauty and harmony.
Uzbekistan -
The Art of Tanbur Craftsmanship and Performance in Uzbekistan
The art of tanbur craftsmanship and performance is a vital component of Uzbekistan’s musical and cultural heritage. The tanbur is a traditional long-necked string instrument known for its deep, resonant sound and symbolic significance within classical and folk music traditions of the region. This element encompasses two interconnected domains: 1.\tThe craftsmanship of the tanbur, which involves selecting wood (often mulberry or walnut), carving the body and neck, assembling the instrument, and applying decorative elements that often hold symbolic meaning. 2.\tThe performance art, involving complex plucking techniques, melodic improvisation, and integration into musical forms such as shashmaqom. Both aspects are traditionally preserved and transmitted through ustoz-shogird (master-apprentice) relationships and family-based teaching, making it a living heritage across generations.
Uzbekistan -
Felt making art
Felt making is a traditional form of textile craftsmanship in Uzbekistan, practiced for centuries by nomadic and rural communities. It involves processing wool from sheep, cleaning, carding, and then manually felting it through rolling, pressing, and wetting techniques to produce dense, warm, and durable fabric used for carpets, clothing, yurts, and ceremonial items. This ancient craft combines utilitarian knowledge with cultural aesthetics, as felt products are often decorated with colorful, symbolic patterns representing protection, nature, or family values. The creation of felt is typically a communal activity, especially among women, where skills, stories, and songs are shared in the process. Felt making is not only an economic activity but also a symbol of identity, reflecting the pastoral heritage and sustainable lifestyle of many Uzbek regions.
Uzbekistan