| Description |
Naqqashlik, or the traditional art of ornament-making, is a highly refined form of decorative craftsmanship in Uzbekistan, rooted in centuries of Islamic and Central Asian artistic traditions. This craft involves the creation of intricate patterns and motifs that adorn architecture, furniture, wooden columns, doors, ceilings, and ceremonial objects.
Naqqashlik is not only a visual art but also a spiritual and philosophical expression. It features floral, geometric, and calligraphic motifs, all governed by strict aesthetic principles and symbolic meanings. The craft plays an essential role in architectural preservation, cultural identity, and national aesthetics.
Master artisans, known as naqqosh, follow meticulous processes including drawing, carving, painting, and gold leafing. Designs are traditionally developed using natural pigments and hand tools, with every pattern reflecting a balance between beauty and harmony. |
| Social and cultural significance |
Naqqashlik reflects Uzbekistan’s cultural sophistication, spiritual worldview, and deep respect for beauty. The art enhances communal and religious spaces, strengthens cultural continuity, and contributes to the national identity. It is central to the preservation of Uzbekistan’s architectural heritage, especially in historical cities recognized by UNESCO. |
| Transmission method |
Naqqashlik is passed down through master-apprentice relationships within artisan families and formal arts schools. Apprentices learn by observing masters, copying traditional motifs, and eventually developing their own stylistic interpretations. Community workshops and heritage conservation projects also support knowledge transmission. |
| Community |
Master craftsmen (naqqosh), Art schools and apprentices, Cultural heritage institutions, Restoration teams, Communities commissioning traditional decoration for homes, mosques, madrasahs, and public buildings
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