VI00001369

The sound of the Babadok instrument gives a very aesthetic color to the movement, the rhythm of the sound gives the passion of the body that watches and the dancer's body hypnotizes the audience so that the audience wants to join in dancing the Tebedai dance. The sound is the sound of the Babadok, a traditional instrument from Timor Leste. However, before becoming a traditional sound instrument, the Babadok was originally made from a piece of wood and animal skin, from the hands of a craftsman, animal skin and wood became one and produced a sound and rhythm called Babadok. Generally, Timor Leste residents know the Babadok, but not everyone can make a Babadok, create the sound of the Babadok and dance according to the sound of the Babadok.

00:13:32
Timor-Leste

VI00001368

The story centers on a group of young local artists who extract natural elements from the earth as organic dyes to use as paint on wooden sculptures from Atauro Island. The documentary will focus on the historic wooden sculptures on Atauro that are painted using natural colors, including the process of getting natural colors from trees, leaves, soil, and other natural elements on Atauro Island.

00:15:11
Timor-Leste

VI00001367

In a small village nestled in the mountains, an aging guardian of oral tradition, Sebastião da costa, prepares for his final journey. Known for his captivating storytelling and deep knowledge of ancient legends, Sebastião is deeply troubled by the thought that his treasured stories might be lost to time. With the village’s younger generation increasingly disconnected from their heritage, Sebastião sets out to share his stories one last time. The film follows Sebastião as he travels through the village, gathering the young and old to listen to his tales. His stories weave together themes of love, sacrifice, and courage, reflecting the rich cultural tapestry of his people. As he faces personal challenges and resistance from those who doubt the value of these traditions, Sebastião's determination grows stronger. As Sebastião’s health declines, the village unites to preserve his stories and honor his legacy. In a heartwarming climax, the younger generation embraces the stories, understanding their importance in shaping their identity. The film concludes with a poignant reflection on the power of storytelling and the enduring strength of cultural heritage.

00:11:49
Indonesia

VI00001366

The dawn of the 21st century has witnessed the rise of Tebe-Tebe, a distinctive musical genre that is rapidly becoming a cultural phenomenon in Timor-Leste. This genre, deeply rooted in the traditional rhythms and melodies of the Timorese people represents a harmonious blend of ancient cultural practices with modern musical influences, reflecting the country's journey of resilience, identity, and innovation.

00:15:51
Timor-Leste

VI00001365

Connecting the past to current and future generations of Uma Lulik in Timor-Leste is the story of Timorese Lia Nain (Old Man) who performs rituals and ceremonies at Uma Lulik and its cultural site. Lia Nain from Uma Lulik Maununo Sakoko (MS) tells the story about Uma Lulik MS which is the keeping place of heirlooms to MS clans and the venue for rituals and ceremonies. Uma Lulik MS is a physical object in the form of simple geometry, built with local materials and with less decoration. Its cultural site features Uma Lulik, an altar with Ai-Toos (hardwood) pointing to Ramaleu peak symbolizing the connection between man and man, man with nature, and man with the spirits of God.

00:15:47
Timor-Leste

VI00001364

A Javanese cultural celebration that starts the harvest season in Kulon Progo by connecting people with their ancestors through meaningful traditional rituals.

00:11:16
Indonesia

VI00001363

Mughni (26), a recent graduate, is anxious about his future and feels trapped in endless worries. To calm his mind and soul, which are full of anxiety after completing his final assignment, he initially chooses to practice yoga independently. However, not satisfied with that, in mid-July 2024, Mughni participated in a Meditation program at Vippasana Dharma Java in Bogor, West Java. Although the program is scheduled for ten days, he managed to complete only five days. After returning to Yogyakarta, he continues searching for answers and meets Pak Udrek, a puppeteer and Javanese cultural practitioner who introduces him to Tapa Brata—a traditional Javanese meditation practice. Through wayang characters' stories, depicting the characters' struggles and meditations, Mughni begins to find the inner peace he had lost and learns the deep meaning of true tranquility offered by Javanese wisdom.

00:11:50
Indonesia

VI00001362

Wayang is not only a medium of entertainment but also has a meaningful philosophy, including a wayang painting that uses various media, one of which is glass. Using pawukon symbols and Javanese proverbs, the painter, Subandi Giyanto, wants to continue to preserve Javanese culture in his unique way.

00:14:35
Indonesia

VI00001361

A young Hamlet head who wants to initiate conservation and maintenance of keris in his village which has been on hiatus for a long time through the medium of forging performances keris and Jamasan procession (heirloom bath).

00:15:53
Indonesia

VI00001360

Two banyan trees in the northern square are talking about memories from their lifetimes. Kiai Dewatadaru is placed to the west of the philosophical axis, on the same side as the Grand Mosque, which functions as a religious center. Meanwhile, Kiai Wijayadaru is placed to the east of the philosophical axis, on the same side as locations such as the Grand Market (Beringharjo Market), which functions as an economic center.

00:10:13
Indonesia

VI00001359

Bakytgul Raimbaeva, founder of the Ansagan craft school in Zhosaly, Kyzylorda, teaches traditional Kazakh carpet weaving to children, especially girls with disabilities. Inspired by her daughter Ansagan, who struggled with a debilitating illness, Bakytgul turned her grandmother’s teachings into a healing community project. Starting with just four girls in 2007, her center now welcomes over 130 students. Through folk art, creativity, and compassion, she helps children recover physically and emotionally, continuing a sacred Kazakh tradition while fostering resilience, socialization, and hope.

00:14:13
Kazakhstan

VI00001358

Pakhriddin Sadykov, a renowned craftsman from Zhanakorgan, Kazakhstan, is dedicated to preserving and revitalizing traditional Kazakh woodcarving, sculpture, and musical symbolism inspired by Korkyt-ata. Once an agricultural student, he became a master artist who now teaches youth—and his own children—not only craftsmanship but also ethics and cultural identity. Viewing creativity as a spiritual mission, he blends artistry with philosophy. Despite limited funding, public interest in a national product market is growing. His dream is to establish a national arts center to carry forward Kazakh traditions rooted in heritage, service, and human dignity.

00:13:39
Kazakhstan