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festival
ICH Elements 64
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Kymyz muryndyk ('initiation of koumiss') Traditional spring festive rites of the Kazakh horse breeders
Kazakh spring horse-breeding rites mark the end of the old and the beginning of the new yearly horse-breeding cycle. Rooted in the traditional knowledge of nature and in the millennia-aged close relations between man and horse, these rites involve skills inherited from the nomadic ancestors and adapted to the present-day reality. The main constituents of the element are: 1.‘Biye baylau’ (literally, ‘tethering mares’), the ancient 'first milking'; rite encompassing the separation of mares and foals from herds, tethering them, greasing ropes and pegs, milking mares, greasing and smoking vessels for koumiss, fermenting the first-day milk, and celebrating with songs, dances and games. 2. ‘Ayghyr kosu’ (figuratively, ‘stallion’s marriage’) is a rite for adjoining stallions in herds. taking place on the same day. This rite is considered as a recent one that emerged in response to shifting from nomadic life to settling. 3. ‘Kymyz muryndyk’ (metaphorically, ‘initiation of koumiss’) is the 'first koumiss sharing'; rite, opening a season of its making and drinking. The above rite names are equally used also for their scope. The preparations go all year round (cutting wool and horse hair, getting good stallions for herds, weaving ropes and foal slips, repairing ware, cutting juniper for smoking vessels, cooking ritual food). Blessed by the elders, the ‘first milking’ day comes in early May, when mares have foaled and grass grown. In total the rites take about 3 weeks until the koumiss sharing ceremonies, taking place in every house of the village, are over.
Kazakhstan 2018 -
‘Nooruz’ celebration
Nooruz is the New Year by solar calendar in Central, South and SouthWest Asia countries. March 21 marks the start of the year in Kyrgyzstan. Nooruz meaning ‘new day’ when a variety of rituals, ceremonies and other cultural events take place. An important tradition practiced during this time is the gathering around ‘the Table’, decorated with objects that symbolize purity, brightness, livelihood and wealth, to enjoy a special meal with loved ones. New clothes are worn and visits given to relatives, particularly the elderly and neighbors. Gifts are exchanged, especially for children, featuring objects made by artisans. There are also street performances of music and dance, public rituals involving water and fire, traditional sports and the making of handicrafts. These practices support cultural diversity and tolerance and contribute to building community solidarity and peace.
Kyrgyzstan 2016 -
Rebana Ubi
Popular in the East Coast — particularly in Kelantan — the rebana ubi is the largest of the rebana family of drums. It is used as an accompaniment during ceremonial rites and festivities, particularly after harvest season, as well as for recreation and competitions. Almost one-metre-high and about 70cm in diameter, it is the only rebana that is vibrantly decorated on the body as well as the face. Each drum is painted brightly and adorned at the top with a large, beautifully carved Kelantanese coat-of-arms — the makhota (crown), a pair of salient kijang (barking deer), crescent moon and five-pointed star. The art of rebana ubi making has been passed on for generations of Kelantanese craftsmen. The difficult process involves drying, stretching and pegging the buffalo hide; gathering and shaping the rattan; hollowing out the merbau wood for the body; and painting the frame of the rebana ubi. Over the past few decades, however, economic pressures as well as a lack of sustained efforts in training have resulted in declining interest in the art of rebana ubi making.
Malaysia -
Falconry - a living human heritage
Falconry or traditional hunting with birds of prey has been long popularized among people who lived in vast steppe and mountainous areas - the habitat of the birds of prey. Kazakh people tamed different species of falcons, eagles and other birds of prey like Burkyts (golden eagles) and various falco representatives. Every species has been accustomed to certain region and climatic environment - northern regions, mountains of Zhungar and Zaili Alatau, bold mountains or mountains with forested and rocky slopes, plains and steppes with scarce vegetation, desserts and etc. Falconry is the traditional art and practice of training and flying falcons to take quarry in its natural state, and has been practised for more than 4000 years. It is one of the oldest relationships between human and bird. It probably evolved in the steppes of Asia, and spread via cultural and trade links to other countries, first to Europe, North Africa and East Asia and later in the 16th century to the rest of the world. The practice of falconry in early and medieval periods of history is documented in many parts of the world. Falconry as intangible cultural heritage is integrated into communities as a social recreational practice and a means of connecting with nature. It is perceived by the communities as cultural heritage, a social tradition of respect for nature and the environment. Originally a way of obtaining food, falconry has acquired other values over the centuries, and is identified with camaraderie, sharing, and expressions of freedom.
Kazakhstan 2016
ICH Materials 256
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Ngajat
Iban Ngajat Warrior Dance.
Malaysia -
Navruz
Navruz is an ancient and widespread holiday in Tajikistan, and it is celebrated on the vernal equinox, the beginning of the solar year and the new year according to the Iranian calendar, as well as calendars of several other nationalities. Navruz traditionally celebrates the awakening of nature and the beginning of agricultural work.
Tajikistan
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Tajikistan Naburz and children's highlight
Representative List of the Intangible Cultural Heritage of Humanity, 2016 Navruz is celebrated in Iranian cultures such as Tajikistan. As it is a happy festive day to welcome the spring after the long winter, the children enjoy various games. This video shows the children at play. Girls wear traditional Tajik costumes, and boys wear formal clothes while playing games like pebꠓble tossing and catching, kite flying, stick tossing, skipping rope, hacky sack, arm wrestling, swinging, breaking eggs. They also sing, allowing viewers to also feel cheerfulness of a festive day and become quite comfortable.\nLabchang, a musical instrument known from ancient times, received its name because it is placed between the lips and is played by a finger. Some old people in a few areas of Tajikistan continue to play labchang, so the art of playing has almost disappeared. The young generation generally doesn’t even now about the instrument. This film is dedicated to the methods of play on various types of labchangs in different parts of Tajikistan.\nVarious dance forms are performed in relation to nature throughout Tajikistan. The dances are varied, mainly having an imitating character. Performed by folk artists, the dances are transferred from generation to generation. Some of the rare dances are gone with their performers. The Pamiri people perform a rare mourning dance that is currently performed only in Bartang Valley and is on the verge of disappearances. Other dance forms are being revived day by day.
Tajikistan 2017 -
Kymyz—Traditional Beverage of the Kyrgyz People
Kymyz, a traditional Kyrgyz beverage, is made of fermented mare’s milk. It was first prepared and used by the nomadic tribes of Central Asia and Mongolia. The earliest found traces of kymyz are from Neolithic period (some 5,500 years ago). Found in the valley of Suusamyr other relics were goatskin leather bags with traces of mare’s milk, indicating the presence of kymyz.\n\nKymyz preparation was kept secret by nomads for centuries. The mare’s milk is stored in animal skins called chanach that were firstly cleaned and smoked over a fire with pine or other coniferous branches to give the drink its unique smell and taste.
Kyrgyzstan 2017
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(Russian)Silk Roads ICH Survey Report – Festivals/Доклад по исследованию нематериального культурного наследия Шелкового пути - фестивали
Title:\n(English) Silk Roads ICH Survey Report – Festivals\n(Korean) 실크로드 무형유산 설문조사 보고서 – 축제\n(Russian) Доклад по исследованию нематериального культурного наследия Шелкового пути – фестивали\n\nLanguage: English/Korean, Russian/English\nType: Survey Report\n\nThis survey report was conducted as part of the effort to identify the status of ICH festivals across the Silk Road region and further identify the challenges that should be resolved with regard to each festive event. This report presents the findings of the survey concerning ICH festivals, which was carried out in 2020 on the governments and cultural institutions across Silk Road countries, including the Republic of Korea. The valid sample, consisting of 347 respondents from nine countries, were statistically analyzed and described herein
Central Asia 2021 -
Silk Roads ICH Survey Report – Festivals
This survey report was conducted as part of the effort to identify the status of ICH festivals across the Silk Road region and further identify the challenges that should be resolved with regard to each festive event. This report presents the findings of the survey concerning ICH festivals, which was carried out in 2020 on the governments and cultural institutions across Silk Road countries, including the Republic of Korea. The valid sample, consisting of 347 respondents from nine countries, were statistically analyzed and described herein.
Central Asia 2021
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Neighbourhood Sketches: Bringing ICH onto the StreetsKampong Gelam is an historical precinct that was originally conceived by Sir. Stamford Raffles to be a settlement area for the Malay, Arab, and Bugis communities in Singapore. In 1989, the core area of Kampong Gelam was gazetted for conservation by the Urban Redevelopment Authority. Today, the historical precinct continues to retain a strong Malay and Muslim identity with both traditional and modern trades attracting locals and foreign tourists alike.\n\nLocated at the heart of Kampong Gelam is the Malay Heritage Centre, a heritage institution managed by the National Heritage Board. The center serves as a showcase of Malay heritage and culture in Singapore, as a focal point for the Malay community in Singapore and a place-maker for the historical precinct. It also presents exhibitions and programs that showcase the intangible cultural heritage (ICH) of the various sub-communities within the wider Malay community.\n\nIn 2011, the Malay Heritage Centre conceptualized and introduced its signature program known as Neighbourhood Sketches. Neighbourhood Sketches is a series of regular outdoor performances held within Kampong Gelam. The program brings the rich and diverse ICH art forms of the Malay community closer to the public through regular street performances outside the walls of the center.\n\nSince the introduction of the program in 2011, the Malay Heritage Centre has presented a total of 126 performances that have attracted more than 23,000 participants. The different types of ICH art forms showcased in these performances included Wayang Kulit (shadow puppet theater), Dondang Sayang (performance involving the exchange of Malay quatrains set to music), Angklung (ensemble performance using instruments made from bamboo), Gamelan Melayu (ensemble performance using predominantly percussive instruments), Dikir Barat (Malay choral singing), Silat (Malay martial arts), and Kuda-Kepang (Javanese horse dance).\n\nWhen curating performances for Neighbourhood Sketches, the Malay Heritage Centre makes a conscious effort to showcase a broad range of ICH art forms practiced by and associated with the Malay community. In addition to staging performances, the center ensures that key characteristics of each art form are shared with the audience during every performance and, where applicable, interactive segments involving audience participation are also included.\n\nIn addition, the Malay Heritage Centre records performances staged as part of Neighbourhood Sketches as a means of documenting the ICH art forms presented. The centre also leverages on technology to promote the performances to raise public awareness and uses social media platforms such as Facebook Live to broadcast these performances so that they are able to reach out to a wider audience.\n\nThus far, Neighbourhood Sketches has received an overwhelmingly positive response, and the majority of the audience members surveyed requested more performances as well as certain other ICH art forms to be presented. In addition, 95 percent of the audience members agreed that watching the performances contributed to a better understanding and appreciation of Malay arts, culture, and heritage.\n\nIt is worth noting that the ICH practitioners who participated in Neighbourhood Sketches have also enjoyed being part of the program. In fact, many of these ICH practitioners were grateful for the opportunity to showcase their craft to a wider audience and informed the Malay Heritage Centre that they felt a stronger sense of pride as ICH bearers after participating.\n\nBesides showcasing the cultural expressions, practices, and art forms of the Malay community, the performances of Neighbourhood Sketches also serve to educate and entertain visitors to Kampong Gelam. In doing so, they contribute to the overall cultural vibrancy of the historical precinct by activating its streets by presenting performances that are engaging and reflective and respectful of the precinct’s identity, culture, and heritage.\n\nPhoto : Wayang Wong (traditional Javanese theatre) performance by Kesenian Tedja Timur in the historical Kampong Gelam precinct. ⓒ Malay Heritage CentreYear2019NationSingapore
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TRADITIONAL SPRING FESTIVE RITES OF KAZAKH HORSE BREEDERSA triad of spring festive rites—biye baylau, ayghyr kosu, and kymyz murundyk, identified and documented in Terisakkan Village in the northern outskirts of Ulytau District, Central Kazakhstan—is a testimony to nomadic culture surviving up to today. Regarded by its bearers as the most important annual festive event, it starts in early May with first spring warmth, new grass, flowers, and foals, opening a new year-round cycle of life reproduction and a new season of making koumiss, an ancient sacred drink.Year2017NationSouth Korea