The Spirit of Vietnam
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In 2015, ICHCAP and the Vietnam Institute of Musicology (VIM) jointly produced Cultural Sounds: The Spirit of Vietnam , a nine-CD set to promote public awareness about the Vietnamese ICH. In 2013, the VIM had conducted a year-long joint project with ICHCAP to restore and digitize its analogue audio documentation of ICH. The project resulted in the successful digitization of some three hundred magnetic tapes in the VIM’s collection. This CD collection was produced to distribute the outcomes of the project while raising the visibility of the audio resources. Local researchers thematically selected the eighty-seven tracks in the collection. Information on each track is presented in Vietnamese, English and Korean. This project is significant as it resulted in restoring analogue recordings at risk of permanent damage and digitizing them to enhance their academic value and public visibility.
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Đờn ca tài tử is a special traditional genre of chamber music of the Việt people in southern Vietnam. In comparison with other forms of traditional musical performances in Vietnam like Ca trù (Ca trù singing), Ca Huế (Hue singing), etc, the art of Đờn ca tài tử was a late traditional form. According to many musical researchers, Đờn ca tài tử came into being in the mid-nineteenth century from the musical context of the ceremonial music nhạc Lễ of southern Vietnam and the chamber music nhạc Huế. Historically, nhạc Lễ played a very important role in the cultural life of southern Vietnam. The repertoire was divided into two styles played by a martial ensemble phe võ and a classical ensemble phe văn. The phe võ is composed of drums, cymbals, and the Vietnamese oboe kèn bầu. The phe văn consisted of stringed instruments, particularly four types of the cò (two-stringed fiddles, such as the cò, the cò chỉ, the cò tre, and the gáo fiddle), and percussion instruments such as the trống nhạc (drum), and a trống cơm (a small cylindrical drum). The two ensembles are invited to play at major village festivals. But for less important occasions such as weddings, birthdays, and housewarmings, a smaller phe văn group is called in, which includes the stringed instruments without percussion instruments. This ensemble is called đờn cây. For the need of artistic entertainment, other stringed instruments progressively joined this ensemble such as the đàn tranh (sixteen-string zither), the kìm (moon-shaped lute) and the very small wooden song lang. Music gradually escapes the solemn nature of rituals to serve daily life. It can be considered the initial foundation of Đờn ca tài tử, but it was not yet the Đờn ca tài tử. In 1885, when the Huế capital fell, the immigration of instrumentalists of the Nguyễn court from central Vietnam to the southern region made significant influence on the development of Đờn ca tài tử. At this time, Đờn ca tài tử was actually shaped after acquiring Huế chamber music in both repertoires and performance styles. The emergence of Đờn ca tài tử has received great support and favor of the majority of people in the southern Vietnam.
Audios
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No. Title Performer Country Manage No Running Time 1 Don Ca Tai Tu, a Chamber Music of Southern Vietnam Vietnam AA00000040 Kim tiền bản (Instrumental ensemble) Tư Huyện (the violin), Anh Duy (the kìm lute) Vietnam AI00000308 0:06:02
Văn Thiên Tường (Singing with accompaniment) Tuyết Lan (singer) Accompaniment ensemble: Năm Bá (the bầu monochord), Anh Duy (the kìm lute) Vietnam AI00000324 0:11:38
Bình sa lạc nhạn (Instrumental ensemble) Nguyễn Văn Thinh (the tranh zither), Chín Tâm (the kìm lute), Ba Trung (the cò fiddle) Vietnam AI00000338 0:19:31
Nam xuân - Nam ai (Singing with accompaniment) hanh Tao (singer) Accompaniment ensemble: Năm Bá (the bầu monochord),Tư Huyện (the violin), Anh Duy (the kìm lute) Vietnam AI00000313 0:13:07
Ngũ đối hạ (Singing with accompaniment) Ngọc Chiêu (singer) Accompaniment ensemble: Nguyễn Thế Huyện (the cò fiddle), Anh Duy (the kìm lute) Vietnam AI00000347 0:06:31
Lưu thủy trường (The tranh zither solo) Master musician Vĩnh Bảo Vietnam AI00000331 0:08:55