Asia, Land of Light and Sound
  • This section introduces reproduced contents of the booklet and CD for exhibition, 'Kim, Soo-Nam & Choi, Sang-il - Asia, Land of Light and Sound (6 to 29 July 2005, Seoul, Republic of Korea)'. Kim, Soo-Nam, documentary photographer representing the Republic of Korea, has started his profession as a photo journalist in Dong-A Ilbo and contributed to introduce the beauty of shamanistic and traditional culture of ethnic minorities by traveling everywhere in Asia. He never let the camera out of his hands till his last day in Chiang Rai in Thailand in 2006, next year of the exhibition. His enormous works still pass down Asia’s value to the world. Choi, Sang-il, who believes that ‘folk songs everywhere contain the unembellished thoughts and sentiments of their people’, has shown various broadcast programs, music albums, and books on folk song and music in Korean and Asia since his join to Munhwa Broadcating Company (MBC). Until now, he continues his contributions including recording diverse intangible cultural heritage and promoting it through excellent broadcast program such as ‘In Search of Our Sounds’. In recent, he received commendation from the president and Award for Professional Achievement in Producing. We express our gratitude to the families of the late Kim, Soo-Nam, and MBC producer Choi, Sang-il for allowing to make these precious collections available online, so that the beauty of living heritages in the Asia-Pacific will be better known to the world.
  • Shamanistic village rituals in Okinawa are mostly related to agriculture, although there are also those related to fishing and hunting. Examples of rituals include rituals to pray for the health of children and future generations, the unjyami ritual to welcome the gods of the ocean and pray for safety and success in fishing, and the puri to pray for a good harvest. Unjyami and puri are still being held in many villages.
    
    During the puri, dances are performed on a makeshift stage constructed in the yard of the hall. A variety of dances are performed to musical accompaniment by instruments such as taiko . The songs and dances about farming and labor differed fundamentally from those of Korea, giving me the feeling that I was indeed in a southern land. Once the performance was over and the villagers were gone, the shamans began a musical dance ritual called yukui. They sang a song called “Agaribushi” and danced, making welcoming motions with both arms towards the sky.
    
    The lyrics were about ships carrying rice and millet coming in from sea. This ritual is conducted to pray for prosperity by performing a magical dance that summons the spirit of rice and millet from Nirasku, a fantastical kingdom of prosperity, life, and regeneration that lies across the eastern sea. The men sing and play the gong and drums while female shamans sing and dance fervently.
    
    During the ritual, a mistake was made in the accompanying music. This greatly angered the female shaman Tsukasa, who was astounded to see such carelessness in offering music to the gods. They had to start the ritual over from the beginning. When the yukui is over, the shaman stay up all night in the hall, burning incense.

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