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Dharshing Charni: Hoisting Prayer Flags
  • Manage No, Sortation, Country, Writer ,Date, Copyright
    Manage No EE00002577
    Country Bhutan
    ICH Domain Knowledge and practices about nature and the universe
    Address
    Practiced in all the districts and communities in Bhutan.
    Year of Designation 17th Century
Description Another very popular activity of the Bhutanese is the Dharchar-ni' hoisting of prayer flags with scripts printed on them. That is why beautiful places, mountains, hilltops, treetops, cliff tops, riverside are festooned with multi-coloured prayer flags. In general, prayer flags are hoisted for the benefit of sentient beings, both living and dead, to boost one’s positive energy or luck and to help liberate the souls of our loved ones. There are huge flags called lhadar in front of dzongs, each with a gyetshen (victory banner) on top. There are also flags without scripts printed on them, such as a small white flag called darchung on the rooftop of one’s house and lhadar near one’s house that has just the print of four legendary animals on it. A lhadar with the printed images of the four legendary animals (tiger, snow lion, garuda, and dragon) is also hoisted in front of temples and dzongs. The darchung on rooftops are placed during the annual religious rituals performed by the household, and hoisted in honour of the deities that the household worships. The lhadar showing the images of the four legendary animals is a sign that the temple and dzong contains scriptures like the Three Pitakas (sutra, vinaya and abhidharma). If the temples have sertog (golden pinnacles) on the roof, the victory banner pinnacle is permitted at the tip of the lhadar. The prayer flags come in five different colours: blue, white, red, green, and yellow. The colour of the flag is determined based on the individual’s birth sign represented by the five elements of the twelve year cycle — white for metal, yellow for earth, red for fire, green for wood, and blue for water. The plain flags representing all the five colours hoisted on both sides of the path or road and around houses, or temples or pitched tents, signify important functions, celebrations of happy occasions and reception of dignitaries. They do not have any religious significance. In order to install flagpoles, tall and straight young trees are selected, preferably from coniferous trees that are sometimes called lhashing (tree of the higher beings). Where lhashing is not available, other trees may be substituted, provided they are straight and meet the required height. After felling of the selected tree, bark, branches and knots are completely removed. Sherab reldri(wisdom sword) and khorlo (wheel) made of wood are affixed at the tip of the pole. The base of the reldri is shaped as crescent moon and sun and painted likewise, while the sword is painted bluish in the middle and reddish on the side to represent the sharp blade that destroys ignorance. A curved red line goes upward in the middle of the reldri to signify fire to boost the power of the blade. Lotus petals are painted on the part immediately below the moon to signify the purity of the base of the wisdom sword. In rural villages where these elaborate preparations are not possible, the leafy tops of the branches are used as substitute for reldri and khorlo. The reldri represents Manjushri, the wisdom deity; while the flag represents Avalokiteshvara, the deity of compassion; and the pole represents Vajrapani, the deity of power. Once a flagpole has been selected, it is considered unvirtuous for humans to walk over it, and therefore it should be kept with its tip on a higher ground. The texts and images are printed on cotton cloth from xylographs available in temples and monasteries and with certain private individuals. In the old days, ink was prepared from soot mixed with water and very old singchang (juice of fermented grains) to give the required thickness and strength. The ink is spread over the printing block and the cotton cloth is stretched over the block, and rubbed over gently using a broad leaf. The print will appear on the cotton cloth. The manual printing is repeated until the desired length is achieved. The printed cloth is then attached to the pole with strands of bamboo, leaving a gap of 30 cm below the khorlo and about a metre above the ground. Mantras are printed left to right across the width of the cloth and generally, while attaching the long strip of cloth to the flagpole, it is positioned so that the edge where the mantra begins flutters freely in the air, and the edge where the mantra ends is fixed down the length of the pole. The flags commonly carry mantras of Avalokiteshvara (mani), Guru Padmasambhava (vajra guru), Manjushri, Vajrapani, Tara, Vajrasattva, Buddha Amitayus, Lungta (windhorse) and Gyetshen tsemoi pung-gyen (victory banner sutra). Finally, the flagpole is firmly fixed in the ground and then a consecration ceremony is held. In most cases, high ridges and hilltops are considered ideal locations for prayer flags, because these sites provide plenty of the wind that is needed to flutter the mantra. Besides, hilltops give panoramic view of all the places below, and hence help to reach out the blessings of the prayers to all sentient beings.
Social and cultural significance In general, prayer flags are hoisted for the benefit of sentient beings, both living and dead, to boost one’s positive energy or luck and to help liberate the souls of our loved ones.
Transmission method Proceedings are well documented in from of books and videos for guidance.
Community Practiced in all the districts and communities by communities, groups and even individuals. Data collected by: Mr. Gengop Karchung, NLAB

Information source
National Library and Archives of Bhutan
https://www.library.gov.bt/archive/