PI00003743

Young Indonesian Puppeteer plays wayang

PI00003739

Young Indonesian Puppeteer plays wayang 2

PI00003738

Wayang perfomance in Parangkusumo

PI00003737

Kids are doing exercise with the trainer in Ayodya studio 2

PI00003733

Kasidi, The Puppeteer

PI00001386

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00003734

Kayon or gunungan is also a philosophy of the journey of human life

PI00001387

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001388

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001389

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001390

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001391

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001392

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001393

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001394

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001395

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001397

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001396

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001398

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001399

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001400

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001401

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001402

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001403

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001404

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001405

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001406

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001407

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001408

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001409

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001410

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001411

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001412

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.

PI00001413

Wayang, the traditional puppetry and drama performance art of Indonesia, is an original masterpiece demonstrating the Indonesian people's creative genius. Wayang has existed and developed in myriad styles and forms In Indonesia over at least a millennium. This can be seen in the 12th-century Old Javanese text Arjuna Wiwaha, which describes a ringgit or wayang performance. Some styles of wayang became extremely sophisticated and took on epic proportions as aristocratic entertainment, but wayang later became known and loved by all segments of society. Currently, there are more than 60 varieties or styles (gagrak) of Indonesian wayang. Some styles such as Wayang Kulit Purwa of Java use two-dimensional leather puppets. These are intricately hand-cut and finely perforated, painted and gold leafed, held against a screen (kelir) by the dalam (puppeteer) illuminated with a lamp, producing moving shadows.