RESTORATION OF CIVIL SOCIETY COMMUNITY FOR ICH AND SUSTAINABLE DEVELOPMENT
|
Ki-Moon Ban, the 8th Secretary-General of the United Nations
|
A PRACTICAL DOCUMENTATION APPROACH FOR THE SAFEGUARDING OF ICH
|
Dale Gilert Jarvis, Heritage NL, dale@dalejarvis.ca
|
BLOCK PRINTING IN THE PHILIPPINES
|
Alex Manlapao Professor, Colegio San Agustin-Bacolod
|
NAGTU FROM TONGA—IMPRINTING KUPESI, IMPARTING KNOWLEDGE
|
Milika Pomana Assistant Senior Program Officer, Culture & Heritage Devision, Ministry of Tourism, Tonga
|
TEXTILE BLOCK PRINTING OF UZBEKISTAN
|
Rasuljon Mirzaakhmedov Master Bearer, Margilan Crafts Development Center Saida Azimova Senior Expert, National Commission of Uzbekistan for UNESCO
|
BLOCK PRINTING IN INDIA
|
Achira Basu, Design Consultant, Banglanatak.com
, Banglanatakdotcom
|
BREAKING THE GLASS CEILING: ONE SOMERSAULT AT A TIME
|
Mousumi Chowdhury, Chau Artist
, Chau Dance Community
|
THE ART OF MASKS AND MAKEUP IN HAT BOI
|
Anh Quan Student, Ho Chi Minh City University of Culture, Vietnam
|
TRADITIONAL DANCE AND ARTIFICIAL INTELLIGENCE
|
Kim Mi-sook Professor of Ethnic Dance, Gyeongsang National University
, ASIA DANCE CULTURE INSTITUTE, under the Department of Ethnic Dance at Gyeongsang National University
|
RETHINKING GENDER ROLES: CASE STUDY ON THE SALAK YOM FESTIVAL
|
Linina Phuttitarn, ICH Facilitator, UNESCO
|