Publications
-
Manage No DI00000021 Country Republic of Korea Author Mariah Waworuntu, Chief editor of the Jurnal Wastra, Association of traditional textile enthusiasts, Indonesia Published Year 2010 Language English Copyright Attach File Preview (ENG)
Description | Traditional Indonesian batik was listed by UNESCO as an Intangible Cultural Heritage of Humanity on 2 October 2009. The unique and exquisite designs created by the artistic minds of citizens centuries ago, express their reverence to life and nature by painting cloth with symbols and characters bearing the philosophies of life. |
---|
Information source
Elements related to
-
EE00000087
Education and training in Indonesian Batik intangible cultural heritage for elementary, junior, senior, vocational school and polytechnic students, in collaboration with the Batik Museum in Pekalongan
Indonesian Batik is a traditional hand-crafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since early 19th Century, made by applying dots and lines in hot wax to cloth using a canthing tulis pen or canthing cap stamp, as a dye-resist. Patterns and motifs have deep symbolism related to social status, local community, nature, history and cultural heritage. The batik community noted the younger generation’s interest in batik is waning, and felt the need to increase efforts to transmit batik cultural heritage to guarantee its safeguarding. Thus, the following is arranged. The program is collaboration between the Batik Museum and elementary, junior, senior, vocational school and polytechnic, to include education in batik cultural values and traditional handcraft in curricula as local content or subject. The project has gone on for 3 years, and continues to expand to Pekalongan District and neighbouring Batang, Pemalang and Tegal districts. Data and interviews with headmasters, teachers and students prove that the programme is popular and successful. The project is a good example of transmission of intangible cultural values to the younger generations by including modules of cultural heritage in the curricula of educational institutions. The main objectives of the programme are: To increase the awareness and appreciation of the cultural heritage of Indonesian batik, including its history, cultural values and traditional skills, among the younger generation at elementary, junior, senior, vocational school and polytechnic educational strata. To increase the awareness of headmasters, teachers, parents and the batik community in Pelaongan, regarding the importance of transmission of batik culture to the younger generations. To involve the management and staff of the Batik Museum in educational activities for students and the general public regarding batik cultural values and training in batik traditional handcraft. The priorities of the programme are: To train staff of the Museum for teaching batik history, cultural values and traditional handcrafts to students. To prepare and distribute proposal invitations to headmasters, so that they would send their students to participate in the programme. To train school teachers to become trainers in batik local content (training of trainers), and/or to place batik craftspersons in schools to give education and training in batik. To organize tests for students participating in the programme, to evaluate the results of the transmission of batik culture
Indonesia 2009 -
EE00000086
Indonesian Batik
Traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since early 19th Century (Ref. Siksakanda, 1517AD), more widely since mid-1980s. all the steps in the making of batik are carried out by hand. The tools used to make batik are also made by hand. Firstly, the cloth must be washed, soaked and beaten with a large mallet. A pattern is drawn and dots and lines of hot wax are then applied to one or both sides of the cloth using a pen-like instrument called canthing tulis (direngsi/ngrengrengi). Alternatively there is the process of applying the hot wax to the cloth using stamps called canthing cap made of copper. The wax functions as a dye-resist. After this, the cloth is dipped in a dye bath containing the first colour. After the cloth is dry, the wax is removed by scraping or boiling the cloth (dilorod). This process is repeated as many times as the number of colours desired. For larger cloth, the wax is applied using a tool called tonyok (nemboki/mopoki). The details of the process vary between different areas. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Expectant mothers wear batik; babies are carried in batik slings and touch batik with their feet when they first touch the ground; brides, marriage couples and family members wear batik; even corpses are covered with batik: all with appropriate patterns and motifs. Traditional dress includes batik, Batiks are collected and passed down as family heirlooms, each being a work of art with its own story. Batik craftspersons would fast and pray before making batik while meditating accompanied by traditional songs. It takes several days to make a hand-stamped batik, and at least 1 month to 1 year to complete a hand-drawn batik.
Indonesia 2009
Materials related to
Photos
더보기-
PI00005933
Indonesian Batik
Indonesian batik is a traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since the early 19th century, and even more widely since the mid-1980s. The earliest reference to batik is found in the text of Siksa Kanda, 1517AD. Batik is made by applying dots and lines of hot wax to cloth using a copper pen-like instrument (canthing tulis), or copper stamps (canthing cap), to resist hand-dyeing. The wax is later removed by boiling and/or scraping, repeating the process for each colour. The entire process is carried out by hand, mostly as a cottage industry. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Batik culture clearly promotes cultural diversity, culture-based industry and human creativity, keeping in mind symbolic and cultural values.
Indonesia 2010 -
PI00005934
Indonesian Batik
Indonesian batik is a traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since the early 19th century, and even more widely since the mid-1980s. The earliest reference to batik is found in the text of Siksa Kanda, 1517AD. Batik is made by applying dots and lines of hot wax to cloth using a copper pen-like instrument (canthing tulis), or copper stamps (canthing cap), to resist hand-dyeing. The wax is later removed by boiling and/or scraping, repeating the process for each colour. The entire process is carried out by hand, mostly as a cottage industry. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Batik culture clearly promotes cultural diversity, culture-based industry and human creativity, keeping in mind symbolic and cultural values.
Indonesia 2010 -
PI00005935
Indonesian Batik
Indonesian batik is a traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since the early 19th century, and even more widely since the mid-1980s. The earliest reference to batik is found in the text of Siksa Kanda, 1517AD. Batik is made by applying dots and lines of hot wax to cloth using a copper pen-like instrument (canthing tulis), or copper stamps (canthing cap), to resist hand-dyeing. The wax is later removed by boiling and/or scraping, repeating the process for each colour. The entire process is carried out by hand, mostly as a cottage industry. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Batik culture clearly promotes cultural diversity, culture-based industry and human creativity, keeping in mind symbolic and cultural values.
Indonesia 2010 -
PI00005936
Indonesian Batik
Indonesian batik is a traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since the early 19th century, and even more widely since the mid-1980s. The earliest reference to batik is found in the text of Siksa Kanda, 1517AD. Batik is made by applying dots and lines of hot wax to cloth using a copper pen-like instrument (canthing tulis), or copper stamps (canthing cap), to resist hand-dyeing. The wax is later removed by boiling and/or scraping, repeating the process for each colour. The entire process is carried out by hand, mostly as a cottage industry. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Batik culture clearly promotes cultural diversity, culture-based industry and human creativity, keeping in mind symbolic and cultural values.
Indonesia 2010
Videos
-
VI00000157
TRUNTUM (The Enchantment of Batik Philosophy) Highlight
In the first October 2009 at Dubai, Unesco was held to provide a determination that batik is a World Cultural Heritage object belonging to Indonesia, the intangible of herritage.Danar Hadi Batik Museum is a private batik museum belongs to Mr. H. Santosa Doellah, he is the owner and the founder and now occupies as the President Director of Batik Danar Hadi Comapy. The museum was opened by Ms. Megawati Soekarno Putri on 20 October 2000.we use a storyline or theme by the title "batik the influence of time and environment" batik the impact of time and environment.It is precisely from the batik of the Keraton that actually the Intangible values was emerged, because the making of batik in the Palace was carried out by the Keraton's daughter, the king's wife, and the king's children. It is not only for daily needs, but also for the needs of a customary procession. So in making batik must be preceded by meditation, praying, fasting, so that batik patterns are formed.For the example, Truntum batik patterns. This truntum pattern was created during the reign of Pakubuwana III. At that time, Kanjeng Ratu Beruk who was the consort of Pakubawana III could not give the crown prince. So Pakubuwana III is returned to the Keputren. In her sadness, Kanjeng Ratu Beruk or her title is Kanjeng Ratu Kencana. She asked for the guidance for praying to Allah. After fasting for a long time in doing meditation, apprehensive, she suddenly wanted to make a batik.after a while Sunan Pakubuwana III attended at the Keputren to see Kanjeng Ratu Beruk in making batik. Then he was asked the name or motive of the pattern. But answered by Kanjeng Ratu Beruk "no idea" what it's called, he made batik just to forget his sadness and ask for guidance from God Almighty.The arrival of Pakubuwana III apparently continued with subsequent arrivals. When the batik is finished, Pakubuwana III is also touched by the perseverance and the spirit of Kanjeng Ratu Beruk to finish the cloth, So Pakubuwana III was asked Kanjeng Ratu Beruk to return to the palace. After giving thanks to God Almighty, Kanjeng Ratu Beruk returned to the palace and she named the Truntum, which means he reunited with Sunan Pakubuwanan III. It means reverberated Sunan's love for her and she hoped, it would be the last forever. Therefore, until now at the Javanese traditional wedding ceremony in Surakarta style, the Truntum pattern is always worn by the bride and bridegroom.
00:00:42
Indonesia 2019 -
VI00000125
Batik Design: An Aesthetic That Reflects Life
Batik is a type of traditional Indonesian handcrafted textile that emerged in the Java region in the early nineteenth century and became widespread across Indonesia in the mid 1980s. Batik is made by applying dots and lines of hot wax to cloth using a copper pen or stamp and then placing the cloth in a dye bath. The earliest reference to batik is found in the text of Siksa Kanda in ad 1517. Batik patterns are inspired by social status, local community, nature, history, and cultural heritage. Batik is an art form that promotes cultural diversity, cultural industries, and human creativity through its symbolic and cultural values.
00:26:14
Indonesia 2019