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Manage No DI00001285 Country Republic of Korea Author KO Daeyoung (Curator, Dangjin City) Published Year 2022 Language English Copyright Attach File Preview (ENG)
Description | Tug-of-war is a game that anyone can enjoy easily, in its simplest form requiring just a rope and some space to play, and it has been widely transmitted all over the world. In particular, in Asia, it has been widely practiced in combination with rituals for prosperity and peace within agricultural communities, and has played an important social role in fostering community cohesion and solidarity. Its significance was recognized by UNESCO in 2015, when ‘Tugging Rituals and Games’ was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity as a multinational heritage of Cambodia, the Philippines, the Republic of Korea and Vietnam. |
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EE00002176
Gijisi Juldarigi (Gijisi Tug-of-war)
[National Intangible Cultural Heritage, Republic of Korea] When holding juldarigi (tug-of-war) in Gijisi-ri, Songak-eup, Dangjin-si, Chungcheongnam-do, the village was divided into two teams, those living close to the shore and the others). It was said that the village would see a good year for the crop when the “close-to-the-shore” group won the contest. The play was performed after Dangje (village ritual) in early March of a leap year in the lunar calendar. There are two theories about the origin of the tug-of-war held in this village. One says that the village looks like a fairy weaving and the movement of pulling a cloth being woven at both sides led to the tug-of-war, the other tells us that the local topography resembles a centipede and so villagers engaged in the tug-of-war using a rope that also looked like a centipede. The straw rope used in the tug-of-war is 50 – 60m long. The diameter of the main section of the rope, which is made each year, comes to more than 1m and if you sat down on it, your legs would not touch the ground. Many thinner straw ropes are tied to the main section for people to tug. The leaders of the two teams would stand on the main section of the rope to give necessary signals while farmers’ music is played joyously to cheer on the participants. After the contest is over, people take away pieces cut off the rope, as it is said that the water heated with a rope piece is a cure for backache or infertility. The event is a rite held to pray for a good harvest and to build a spirit of collaboration among the villagers.
Republic of Korea 2015 -
EE00001265
Tugging Rituals and Games
[Inscribed in 2015 (10.COM) on the Representative List of the Intangible Cultural Heritage of Humanity] Tugging rituals and games of Vietnam have different characteristics, meanings and rules. The element is held as part of village festivals in Spring, a form for communities to pray for abundant harvests and prosperity, marking the start of a new agricultural cycle. Tugging game symbolizes the power of natural forces like the sun, water source that influence the harvests. In some localities, tugging game is associated with the legends of worshiped heroes for their merit in reclaiming the land, fighting against foreign invaders, protecting prosperous life of the people. It is usually held at the communal houses or temples after the rirual of commemoration of local guardian deities finished. The material used for tugging varies from region to region, reflecting the ecological and cultural context of each community, it can be made of bamboo, rattan stems, or ropes. The procedure for selecting teams or players is in accordance to the ritual rules, and the winning or losing team is regulated by customs to express certain religious meanings and the harmony of nature. Nowadays, tugging rituals and games are popularly known as a folk game that is entertaining, sporty and collective.
Vietnam,Cambodia,Philippines,Republic of Korea 2015
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DI00000744
Identifying Ways to Develop Intangible Heritage Festivals through Community Networks (Focusing on the Case of the Gijisi Tug-of-War Festival)
The tug-of-war is widely spread throughout the world, especially in agricultural communities. The Gijisi Tug-of-War Festival is highly regarded. Held on the second weekend in April, it has a five-hundred-year history. The event, which is based on agriculture, fishery, and merchant traditions, is held to wish for prosperity and good luck for the coming year. The tug-of-war represents the agricultural, rural, and social characteristics of the region. The rope used for the event is two hundred meters long and one meter thick, so it is truly a community event. Similar tug-of-war games are also held in other nations. After creating a museum for Gijisi tug-of-war, members discovered that it could be a symbol of the region, so the local government invested into the museum. After building the museum, we wanted to expand our knowledge of tug-of-war events in other countries. In the past, there wasn’t much communication among the different communities celebrating tug-of-war festivities. However, after building the museum, we had the opportunity to invite other countries as a sort of network that allows research into other types of tug-of-war in the Asia-Pacific region. As Gijisi tug-of-war is well known, we thought that having a festival to display other cultures’ traditional tug-of-war through a networked festival. Tug-of-war (juldarigi in Korean) is an intangible heritage that is commonly found in various regions across the world. In particular, it is a popular activity that takes place with the aim to foster harmony and solidarity among communities in rice-farming regions across Korea, Japan,and various Southeast Asian countries.
Daeyoung Ko, Curator, Gijisi juldarigi(Tug-of-War) Museum, Operated by the Dangjin Local Government 2020 -
DI00001169
International Cooperation through Tugging Rituals and Games and their Achievements: Activities in Post Multinational Inscriptions
Tug-of-war is a universal cultural phenomenon all around the world. Especially in Asia, the tug-of-war is related to rice farming and is thus commonly found in the farming cultures of Northeast and Southeast Asia. As practiced in Asia, the tug-of-war is performed either as a prayer for rain, or for a good harvest, or to foretell whether the year’s harvest will be good or bad. Tug-of-war activities have similarities that include two teams pulling at the opposite ends of a rope. They also have distinctness, individuality, and creativity interactivity with the climate or environment, making tug-of-war events worth preserving as a common element of Asian intangible cultural heritage (ICH). Recognizing the universality and distinctness of tug-of-war traditions in Asia, Cambodia, the Republic of Korea, the Philippines, and Vietnam prepared a multinational file to nominate “Tugging Rituals and Games” to the UNESCO Representative List of the ICH of Humanity through mutual communications and meetings. The Republic of Korea submitted the nomination file to the Convention Secretariat on behalf of the four countries on 31 March 2014. The nomination file was eventually recognized on 2 December 2015 during the tenth session of the Intergovernmental Committee held from 30 November to 4 December 2015 in Namibia. The inscription of Tugging Rituals and Games to the UNESCO Representative List of the ICH of Humanity has brought about a sensation in each country. The news of the multinational inscription was covered in a slew of media outlets in each country, and in particular, Vietnam selected the multinational inscription as one of the top ten cultural news events of 2015. The Republic of Korea, which led the multinational inscription, conducted commemorative events, such as holding an exhibition and publishing books in Korean and English.
Weonmo Park 2021