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STRATEGY FOR TRAINING COMING GENERATIONS OF FUJIAN PUPPETRY PRACTITIONERS
  • Manage No DI00000197
    Country Republic of Korea
    Author Xuegang Tan Deputy Director, Protection Department, Fujian Provincial ICH Protection Center
    Published Year 2015
    Language English
    Copyright Copyright
    Attach File Preview (ENG)
Description With the accelerated urbanization and the rise of modern popular culture in China in 1990s, and against the macro-environment of technical rationality, traditional arts lost their holding in many fields. Among these arts, Fujian puppetry, which has an uninterrupted thousand-year history, encountered a difficult situation related to transmission. There was simply not enough interest and the number of practitioners began to wane. To face these difficulties, the representative inheritors of Fujian puppetry–the principals and artists of the Quanzhou Puppetry Troupe, Jinjiang Hand Puppetry Troupe, and Zhangzhou Puppetry Troupe–have been searching for support from all possible channels and calling for attention to and promotion of puppetry. Among these proponents is the director of Quanzhou Puppetry Troupe, Mr. Wang Jingxian, who started to popularize puppetry while in his early twenties and continues to do so today as he approaches sixty. The success of their efforts to reignite interest in Fujian puppetry can be measured by the increase value that local governments and communities have been placing on puppetry and can also be reflected in the Quanzhou Puppetry Troupe relocating to a new venue and expanding the exhibition and performing venues to accommodate its needs.

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