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Ancient sounds in Fiji is still echoed in traditional chant, traditional dances, polyphony, and sacred psalms. It is found to be unique from western sounds and sounds in many parts of the world. Most current Fijian music has adopted western sounds, this includes church hymns, folk songs, serenades, and also Tongan sounds which is practiced in serevakalau known as Polotu and also pesi (Lauan folksongs). Aporosa a traditional cartographer form Beqa stated that there was no Fijian alphabet, but instead was the practice of oral transmission through traditional dances. Lyrics, cartographer and sound were transmitted through vision (Bulivou, 1985). Once ancient sounds were not composed, it was inherently transmitted through the vanua as a gift, and intrinsically maintained its mana in the vanua livelihood.

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This is a story about an indigenous Fijian musical instrument from the ancient past. This is the nose flute known in the indigenous language as dulali or bitu ceguvi. This performing art has disappeared altogether from Fiji, save for a village in Tailevu province, one of the 14 provinces in Fiji. Tailevu is located on mainland eastern Vitilevu and the village we are visiting where this art form is kept alive is located at the norther part of the province. The village is called Nananu. We are visiting a 73 year old man at the time of the shot (2011). Kaveni is the only person who has kept alive the art of playing the nose flute, an art that dates back in the mists of time to the days of its legendary ancestor Ramacake. Ramacake was Pan in the local mythology specializing in the pan flute. Its melodious strains was an irresistible charm on maidens who pined over it every morning.